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(Voicemail) Hi, it's Tom. (Voicemail) Sorry,
missed your call, (Voicemail) but let's be real, (Voicemail) I'm
probably out somewhere (Voicemail) having
a fabulous time! (Voicemail) Try me on socials. Hey, it's me, again. I'm calling you from a
house phone this time. I know, they still make those. But I just thought
you'd like an update on this living nightmare I'm in, Seeing as how it's
completely your fault. So, I'm now staying at
James McDuff's Manor. But don't worry,
because he thinks I'm freaking Liz Harvii. Yes. You heard that right. So that's a bit of an issue. And apparently all of the
hotels are booked out, which I'm assuming is why
you're dodging my calls, which is smart, because I am going to
destroy you when I- All well Ms. Harvii? Oh, yes. Yes, of course. Never better. Thank you. Night, night. Bullet points. James
thinks I'm Liz. I'm stuck here for the week. This is your fault. Save me!
missed your call, (Voicemail) but let's be real, (Voicemail) I'm
probably out somewhere (Voicemail) having
a fabulous time! (Voicemail) Try me on socials. Hey, it's me, again. I'm calling you from a
house phone this time. I know, they still make those. But I just thought
you'd like an update on this living nightmare I'm in, Seeing as how it's
completely your fault. So, I'm now staying at
James McDuff's Manor. But don't worry,
because he thinks I'm freaking Liz Harvii. Yes. You heard that right. So that's a bit of an issue. And apparently all of the
hotels are booked out, which I'm assuming is why
you're dodging my calls, which is smart, because I am going to
destroy you when I- All well Ms. Harvii? Oh, yes. Yes, of course. Never better. Thank you. Night, night. Bullet points. James
thinks I'm Liz. I'm stuck here for the week. This is your fault. Save me!
Full Transcript
00:00:01.000 --> 00:00:02.293
(Voicemail) Hi, it's Tom.
00:00:02.293 --> 00:00:03.544
(Voicemail) Sorry,
missed your call,
00:00:03.544 --> 00:00:04.754
(Voicemail) but let's be real,
00:00:04.754 --> 00:00:05.797
(Voicemail) I'm
probably out somewhere
00:00:05.797 --> 00:00:06.964
(Voicemail) having
a fabulous time!
00:00:06.964 --> 00:00:07.924
(Voicemail) Try me on socials.
00:00:08.925 --> 00:00:10.593
Hey, it's me, again.
00:00:11.844 --> 00:00:13.096
I'm calling you from a
house phone this time.
00:00:13.096 --> 00:00:15.306
I know, they still make those.
00:00:15.306 --> 00:00:17.998
But I just thought
you'd like an update
00:00:17.998 --> 00:00:18.226
on this living nightmare I'm in,
00:00:18.226 --> 00:00:20.895
Seeing as how it's
completely your fault.
00:00:20.895 --> 00:00:23.731
So, I'm now staying at
James McDuff's Manor.
00:00:24.941 --> 00:00:25.691
But don't worry,
because he thinks
00:00:25.691 --> 00:00:26.651
I'm freaking Liz Harvii.
00:00:27.485 --> 00:00:28.402
Yes. You heard that right.
00:00:28.402 --> 00:00:29.987
So that's a bit of an issue.
00:00:29.987 --> 00:00:32.865
And apparently all of the
hotels are booked out,
00:00:32.865 --> 00:00:35.868
which I'm assuming is why
you're dodging my calls,
00:00:35.868 --> 00:00:37.161
which is smart,
00:00:37.161 --> 00:00:39.789
because I am going to
destroy you when I-
00:00:41.999 --> 00:00:42.959
All well Ms. Harvii?
00:00:42.959 --> 00:00:43.096
Oh, yes.
00:00:43.096 --> 00:00:45.461
Yes, of course.
00:00:45.461 --> 00:00:46.754
Never better.
00:00:47.797 --> 00:00:48.965
Thank you.
00:00:49.715 --> 00:00:50.883
Night, night.
00:00:52.927 --> 00:00:54.887
Bullet points. James
thinks I'm Liz.
00:00:54.887 --> 00:00:56.055
I'm stuck here for the week.
00:00:56.055 --> 00:00:57.765
This is your fault. Save me!
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Movie Summary
A writer is sent to Scotland to collect a literary award for her boss and is quickly mistaken for someone else by a dashing Scottish poet. Now, she'll need to decide if telling the truth is worth possibly losing the man of her dre...