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Lola aka Cecile: Why did you follow me this morning?
George Matthews: Well, I wanted to know who you were.
[offers her a cigarette; lights it for her]
George Matthews: If you knew I was following you, why didn't you look at me?
Lola aka Cecile: [laughs] You're kidding. You know very well that most of men who follow girls in the street are... sadists, or maniacs, or nuts.
George Matthews: ...or cops.
Lola aka Cecile: Oh, you don't look like a cop.
George Matthews: Do I look like a nut?
Lola aka Cecile: No, not really. But, you understand, I couldn't really tell.
George Matthews: Well, at first when I saw you coming into this tart factory, I was surprised. I wondered what kind of a woman you were. And then I thought, what the hell does it matter, you know.
Lola aka Cecile: If you came here to insult me, you can leave right now. I thought I told you why I was doing this work. But, you don't want to understand. Whether I get undressed here, in this room, in front of you or on the beach, what's the difference? Men look at me in the same way, don't they? In any case, that's the only job I could get without a work permit. Besides, what does it matter? I'm going back to France. I simply needed to, to earn enough money for my return ticket. In three or four days I'll have what I need. I must say, I was completely broke. That's an old story.
George Matthews: That's too bad you're leaving. I, uh, I would have liked to have seen you again.
Lola aka Cecile: Another time. In Paris, perhaps
George Matthews: Well, I wanted to know who you were.
[offers her a cigarette; lights it for her]
George Matthews: If you knew I was following you, why didn't you look at me?
Lola aka Cecile: [laughs] You're kidding. You know very well that most of men who follow girls in the street are... sadists, or maniacs, or nuts.
George Matthews: ...or cops.
Lola aka Cecile: Oh, you don't look like a cop.
George Matthews: Do I look like a nut?
Lola aka Cecile: No, not really. But, you understand, I couldn't really tell.
George Matthews: Well, at first when I saw you coming into this tart factory, I was surprised. I wondered what kind of a woman you were. And then I thought, what the hell does it matter, you know.
Lola aka Cecile: If you came here to insult me, you can leave right now. I thought I told you why I was doing this work. But, you don't want to understand. Whether I get undressed here, in this room, in front of you or on the beach, what's the difference? Men look at me in the same way, don't they? In any case, that's the only job I could get without a work permit. Besides, what does it matter? I'm going back to France. I simply needed to, to earn enough money for my return ticket. In three or four days I'll have what I need. I must say, I was completely broke. That's an old story.
George Matthews: That's too bad you're leaving. I, uh, I would have liked to have seen you again.
Lola aka Cecile: Another time. In Paris, perhaps
Full Transcript
00:00:01.000 --> 00:00:02.662
What did you expect
00:00:02.752 --> 00:00:04.618
I don't know A smile maybe
00:00:06.964 --> 00:00:08.005
Something like that
00:00:08.591 --> 00:00:10.708
Well that's better For a start anyway
00:00:10.801 --> 00:00:13.509
Why have you come back I wanted to see you again
00:00:13.596 --> 00:00:14.632
Oh
00:00:14.722 --> 00:00:16.554
Your picture must have been awful
00:00:17.642 --> 00:00:18.632
How do you know
00:00:20.603 --> 00:00:24.722
You looked so awkward I hope this time will be better
00:00:25.441 --> 00:00:27.103
I didn't come here to take pictures
00:00:29.528 --> 00:00:31.052
I'm not paid to make conversation
00:00:35.368 --> 00:00:36.449
Sit down
00:00:43.417 --> 00:00:45.283
Why did you follow me this morning
00:00:47.129 --> 00:00:49.997
Well I wanted to know who you were
00:00:50.008 --> 00:00:51.916
Now you know
00:00:55.221 --> 00:00:59.261
If you knew I was following you why didn't you look at me
00:00:59.767 --> 00:01:01.554
You are kidding
00:01:01.644 --> 00:01:05.729
You know very well that most of men who follow girls in the street
00:01:05.815 --> 00:01:09.604
are sadist or maniacs or nuts
00:01:10.999 --> 00:01:12.999
Or cops
00:01:13.197 --> 00:01:14.904
You don't look like a cop
00:01:14.991 --> 00:01:16.857
Do I look like a nut
00:01:18.327 --> 00:01:20.319
No not really
00:01:20.997 --> 00:01:22.001
But you understand I couldn't tell
00:01:25.334 --> 00:01:30.001
Well at first when I saw you coming in this tart factory I was surprised
00:01:31.298 --> 00:01:33.255
I wondered what kind of a woman you were
00:01:34.001 --> 00:01:36.006
And then I thought
00:01:37.001 --> 00:01:38.845
what the hell does it matter you know
00:01:41.999 --> 00:01:44.309
If you came here to insult me you can leave right now
00:01:48.399 --> 00:01:51.142
I thought I told you why I was doing this work
00:01:51.235 --> 00:01:52.999
but you don't want to understand
00:01:53.904 --> 00:01:57.001
Whether I get undressed here in this room in front of you
00:01:57.366 --> 00:01:59.001
or on the beach
00:01:59.999 --> 00:02:00.904
what's the difference
00:02:00.995 --> 00:02:03.703
Men look at me in the same way don't they
00:02:03.789 --> 00:02:09.999
In any case that's the only job I could get without a work permit
00:02:11.547 --> 00:02:16.999
Besides what does it matter I'm going back to France
00:02:16.999 --> 00:02:21.001
I simply needed to earn enough money for my return ticket
00:02:22.892 --> 00:02:26.909
In three or four days I'll have what I need
00:02:28.999 --> 00:02:31.352
I must say I was completely broke
00:02:33.987 --> 00:02:34.393
That's an old story
00:02:37.001 --> 00:02:39.999
Well it's too bad you're leaving
00:02:40.992 --> 00:02:42.999
I would have liked to have seen you again
00:02:42.203 --> 00:02:44.999
Another time In Paris perhaps
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Movie Summary
George is unemployed, broke, about to be drafted to Vietnam, and suddenly madly in love with the divine Lola, a woman he has only briefly glimpsed. Now George searches for his potential amour through the City of Angels.