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You know, she was
a terrified little girl asking somebody
not to hurt her. But to me,
the most significant thing in those sketches
was that she drew herself with the black hair
and the dark eyes when she was a child. Like, that she thought
of herself that way, that long ago. She was actively
rewriting her story while that trauma was
still being visited on her
a terrified little girl asking somebody
not to hurt her. But to me,
the most significant thing in those sketches
was that she drew herself with the black hair
and the dark eyes when she was a child. Like, that she thought
of herself that way, that long ago. She was actively
rewriting her story while that trauma was
still being visited on her
Full Transcript
00:00:01.000 --> 00:00:03.136
You know, she was
a terrified little girl
00:00:03.027 --> 00:00:05.372
asking somebody
not to hurt her.
00:00:07.004 --> 00:00:08.676
But to me,
the most significant thing
00:00:08.808 --> 00:00:11.545
in those sketches
was that she drew herself
00:00:11.679 --> 00:00:14.013
with the black hair
and the dark eyes
00:00:14.714 --> 00:00:16.216
when she was a child.
00:00:17.384 --> 00:00:20.454
Like, that she thought
of herself that way,
00:00:20.588 --> 00:00:21.988
that long ago.
00:00:23.324 --> 00:00:26.999
She was actively
rewriting her story
00:00:26.159 --> 00:00:28.895
while that trauma was
still being visited on her.
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Movie Summary
CNN camerawoman Margaret Moth fearlessly captures footage of war zones. A Sundance premiere featuring Christiane Amanpour, directed by Lucy Lawless.