Since when did Coldwaterbecome faster than Laurel? Huh? What wasthe thinking there? I...
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Since when did Coldwaterbecome faster than Laurel? Huh? What wasthe thinking there? I didn't ask thatto hear myself speak. Because, you know,Coldwater only hassix lights. Laurel has places to pass. I can't get aroundthis person until Ventura. It's the sameargument, man.I said this route. If you wanted totake Laurel, you should havesaid something. I thought thatyou workedin other factors. If I didn't thinkthat you could do better, I wouldn't ride you so hardabout the routes. I thinkyou know that, Rick. I think it mayjust be possible that I havea higher opinion of youthan you have of yourself. What the fuck? God damn it! Seriously? To get to a van crashon Moorpark? Who cares?What's the rush? Why aren't we atthe rape at Griffith Parklike everybody else?
Full Transcript
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Since when did Coldwater become faster than Laurel
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Huh What was the thinking there
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I didn't ask that to hear myself speak
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Because you know Coldwater only has six lights
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Laurel has places to pass
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I can't get around this person until Ventura
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It's the same argument man I said this route
00:00:17.553 --> 00:00:18.085
If you wanted to take Laurel
00:00:18.851 --> 00:00:20.115
you should have said something
00:00:20.116 --> 00:00:21.049
I thought that you worked in other factors
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If I didn't think that you could do better
00:00:23.119 --> 00:00:25.998
I wouldn't ride you so hard about the routes
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I think you know that Rick
00:00:26.661 --> 00:00:28.156
I think it may just be possible
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that I have a higher opinion of you than you have of yourself
00:00:30.995 --> 00:00:32.402
What the fuck
00:00:32.403 --> 00:00:33.503
God damn it
00:00:35.637 --> 00:00:37.067
Seriously
00:00:38.268 --> 00:00:40.509
To get to a van crash on Moorpark
00:00:40.051 --> 00:00:42.973
Who cares What's the rush
00:00:42.974 --> 00:00:46.998
Why aren't we at the rape at Griffith Park like everybody else
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Movie Summary
When Lou Bloom, desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story. Aiding him in his effort is Nina, a TV-news veteran.
