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Every Guillermo set that I've worked on is very baroque
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Nightmare Alley

Every Guillermo set that I've worked onis very baroque, because his worlds are very gothic

Every Guillermo set that I've worked on
is very baroque, because his worlds are very gothic

Full Transcript

00:00:01.000 --> 00:00:04.995
Every Guillermo set that I've worked on is very baroque,
00:00:05.088 --> 00:00:07.955
because his worlds are very gothic.
Duration
8 seconds
Views
42
Timestamp in Movie
00:00:32
Uploaded
May 11, 2025
Genres
crime, drama, thriller
Production
Searchlight Pictures,Double Dare You

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Movie Summary

A grifter working his way up from low-ranking carnival worker to lauded psychic medium matches wits with a psychiatrist bent on exposing him.
Worlds of fairies and witches and vampires and stuff. - Nightmare Alley 00:05
Worlds of fairies and witches and vampires and stuff.
Provided by explosiveskull https://twitter.com/kaboomskull - Nightmare Alley 00:07
Provided by explosiveskull https://twitter.com/kaboomskull
For him as a filmmaker, it's a new vision for him, - Nightmare Alley 00:06
For him as a filmmaker, it's a new vision for him,
I think he's just exploring some different parts of his psyche - Nightmare Alley 00:07
I think he's just exploring some different parts of his...
We're trying to get some of the cues of the movie - Nightmare Alley 00:07
We're trying to get some of the cues of the movie
The idea of modern America - Nightmare Alley 00:12
The idea of modern America
The research on this was very much twofold, - Nightmare Alley 00:05
The research on this was very much twofold,
There's the carnival of the late 1930s, - Nightmare Alley 00:12
There's the carnival of the late 1930s,
Tamara had so many sets that looked real - Nightmare Alley 00:08
Tamara had so many sets that looked real
The carnival was built outside of Toronto at a fairground. - Nightmare Alley 00:06
The carnival was built outside of Toronto at a fairground.
You'd go there, and when you'd shoot at night, it was so beautiful. - Nightmare Alley 00:05
You'd go there, and when you'd shoot at night, it ...
With the extras and period costumes, you know, it was fantastic. - Nightmare Alley 00:04
With the extras and period costumes, you know, it was fantas...
One of the decisions was, let's build a carnival on location. - Nightmare Alley 00:05
One of the decisions was, let's build a carnival on loc...
So we can be affected by the wetness, by the wind. - Nightmare Alley 00:05
So we can be affected by the wetness, by the wind.
When you are inside a tent, and you're outside - Nightmare Alley 00:07
When you are inside a tent, and you're outside
If you build it on stage, it becomes like a cartoon. - Nightmare Alley 00:04
If you build it on stage, it becomes like a cartoon.
We rigged the earth underneath the carnival - Nightmare Alley 00:13
We rigged the earth underneath the carnival
We always kept it muddy, uh, with hay, with texture. - Nightmare Alley 00:06
We always kept it muddy, uh, with hay, with texture.
All right, folks. Last stop. End of the line. - Nightmare Alley 00:09
All right, folks. Last stop. End of the line.
Fantastic designer Andy Tsang, who's basically done - Nightmare Alley 00:06
Fantastic designer Andy Tsang, who's basically done