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Put your hands on me
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Nothing Compares

Put your hands on me Put your hands on me Put 'em on, put 'em onPut 'em on me...

Put your hands on me Put your hands on me Put 'em on, put 'em on
Put 'em on me Put 'em on, put 'em on
Put 'em on me Put 'em on, put 'em on
Put 'em on me Put 'em on, put 'em on
Put 'em on me

Full Transcript

00:00:01.000 --> 00:00:01.048
Put your hands on me
00:00:01.048 --> 00:00:02.072
Put your hands on me
00:00:02.072 --> 00:00:03.048
Put 'em on, put 'em on Put 'em on me
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Put 'em on, put 'em on Put 'em on me
00:00:05.048 --> 00:00:07.048
Put 'em on, put 'em on Put 'em on me
00:00:07.048 --> 00:00:08.048
Put 'em on, put 'em on Put 'em on me
Duration
8 seconds
Views
59
Timestamp in Movie
00:25:04
Uploaded
May 05, 2025
Genres
documentary, music
Production
Tara Films,Ard Mhacha Productions,Field of Vision

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Movie Summary

Following the career of singer Sinéad O'Connor through her rise to fame and how her iconoclastic personality led to her exile from the pop mainstream.
Hands, gimme love - Nothing Compares 00:06
Hands, gimme love
Hands, gimme those - Nothing Compares 00:06
Hands, gimme those
I want your - Nothing Compares 00:05
I want your
[Sinéad]   When we got the first album cover, - Nothing Compares 00:06
[Sinéad]   When we got the first album cover,
So that's why there's the picture of me - Nothing Compares 00:07
So that's why there's the picture of me
It was only when it came out and I thought, - Nothing Compares 00:08
It was only when it came out and I thought,
I had to photograph her for the cover - Nothing Compares 00:08
I had to photograph her for the cover
Once we had got the pictures - Nothing Compares 00:07
Once we had got the pictures
It was, you know, a joy to photograph - Nothing Compares 00:07
It was, you know, a joy to photograph
[Peaches]   I think her image screamed more than feminism, - Nothing Compares 00:05
[Peaches]   I think her image screamed more than feminism,...
I think it was just like non-binary, - Nothing Compares 00:06
I think it was just like non-binary,
[Maybury]   People found it problematic just because - Nothing Compares 00:06
[Maybury]   People found it problematic just because
It suggested some kind of aggression, - Nothing Compares 00:09
It suggested some kind of aggression,
As a filmmaker, gave me a very graphic, powerful image - Nothing Compares 00:04
As a filmmaker, gave me a very graphic, powerful image...
[Sinéad]   Anytime I worked with John Maybury, - Nothing Compares 00:05
[Sinéad]   Anytime I worked with John Maybury,
The set makers, stylists, the makeup people, you know, - Nothing Compares 00:07
The set makers, stylists, the makeup people, you know,...
[relaxed music] - Nothing Compares 00:12
[relaxed music]
[Maybury]   She recognized in us kind of a sense of - Nothing Compares 00:06
[Maybury]   She recognized in us kind of a sense of
And she was free to be who she wanted to be within that - Nothing Compares 00:06
And she was free to be who she wanted to be within that...
They were so inspiring and still are to me, - Nothing Compares 00:05
They were so inspiring and still are to me,