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The extraordinary close-up work that John did
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Nothing Compares

The extraordinary close-upwork that John did The extraordinary close-upwork that John did...

The extraordinary close-up
work that John did The extraordinary close-up
work that John did with the lighting camerawoman,
Dominique Le Rigoleur, with the lighting camerawoman,
Dominique Le Rigoleur, with the lighting camerawoman,
Dominique Le Rigoleur, who we chose particularly
because we wanted a female who we chose particularly
because we wanted a female who we chose particularly
because we wanted a female to create a relationship
between Sinéad and the camera

Full Transcript

00:00:01.000 --> 00:00:02.016
The extraordinary close-up work that John did
00:00:02.016 --> 00:00:04.004
The extraordinary close-up work that John did
00:00:04.004 --> 00:00:04.016
with the lighting camerawoman, Dominique Le Rigoleur,
00:00:04.016 --> 00:00:06.016
with the lighting camerawoman, Dominique Le Rigoleur,
00:00:06.016 --> 00:00:07.044
with the lighting camerawoman, Dominique Le Rigoleur,
00:00:07.044 --> 00:00:08.016
who we chose particularly because we wanted a female
00:00:08.016 --> 00:00:10.016
who we chose particularly because we wanted a female
00:00:10.016 --> 00:00:11.028
who we chose particularly because we wanted a female
00:00:11.028 --> 00:00:12.016
to create a relationship between Sinéad and the camera.
Duration
12 seconds
Views
34
Timestamp in Movie
00:50:09
Uploaded
May 05, 2025
Genres
documentary, music
Production
Tara Films,Ard Mhacha Productions,Field of Vision

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Movie Summary

Following the career of singer Sinéad O'Connor through her rise to fame and how her iconoclastic personality led to her exile from the pop mainstream.
[gentle music] - Nothing Compares 00:14
[gentle music]
Looking into my monitor, looking down that lens, - Nothing Compares 00:06
Looking into my monitor, looking down that lens,
It's not my direction, it's not the cinematography, - Nothing Compares 00:06
It's not my direction, it's not the cinematography...
If you don't - Nothing Compares 00:06
If you don't
[Sinéad]   If you don't - Nothing Compares 00:05
[Sinéad]   If you don't
I didn't cry in the studio, - Nothing Compares 00:06
I didn't cry in the studio,
I never stopped crying for my mother for, Jesus, - Nothing Compares 00:04
I never stopped crying for my mother for, Jesus,
I never even called home, I just cut myself off entirely - Nothing Compares 00:05
I never even called home, I just cut myself off entirely...
So yeah, I was thinking of her and I suppose my subconscious - Nothing Compares 00:05
So yeah, I was thinking of her and I suppose my subconscious...
I think it's funny that the world fell in love with me - Nothing Compares 00:04
I think it's funny that the world fell in love with me...
I think it's funny that the world fell in love with me - Nothing Compares 00:14
I think it's funny that the world fell in love with me
I went and did a lot of crying - Nothing Compares 00:05
I went and did a lot of crying
[audience clapping] - Nothing Compares 00:05
[audience clapping]
[audience cheers] - Nothing Compares 00:04
[audience cheers]
Half of me sorta says, oh, well, you know, - Nothing Compares 00:09
Half of me sorta says, oh, well, you know,
[audience laughing] - Nothing Compares 00:05
[audience laughing]
[audience cheering] - Nothing Compares 00:07
[audience cheering]
[upbeat music] - Nothing Compares 00:06
[upbeat music]
Sinéad, "Nothing Compares To You." - Nothing Compares 00:08
Sinéad, "Nothing Compares To You."
I mean you think of artists like Billie Eilish now - Nothing Compares 00:05
I mean you think of artists like Billie Eilish now