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[Kath Winters] So when he does photograph the people who have
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Photographer

So when he doesphotograph the people who have a lot less acknowledgmentor respect or...

[Kath Winters] So when he does
photograph the people who have a lot less acknowledgment
or respect or regard, [camera shutter] he wants to make
portraits, I think, of them that have as much dignity
and iconic beauty to them as when he photographs
people on the other side of it

Full Transcript

00:00:01.000 --> 00:00:03.911
[Kath Winters] So when he does photograph the people who have
00:00:03.998 --> 00:00:08.001
a lot less acknowledgment or respect or regard,
00:00:09.428 --> 00:00:10.559
[camera shutter]
00:00:10.645 --> 00:00:13.209
he wants to make portraits, I think, of them
00:00:13.295 --> 00:00:18.726
that have as much dignity and iconic beauty to them
00:00:19.509 --> 00:00:23.852
as when he photographs people on the other side of it.
Duration
25 seconds
Views
35
Timestamp in Movie
00:48:22
Uploaded
Apr 09, 2025
Season
1
Episode
3
Genres
documentary
Production
Little Monster Films,National Geographic

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Movie Summary

Explores the famous photographers Campbell Addy, Cristina Mittermeier, Paul Nicklen, Muhammed Muheisen, Anand Varma, Dan Winters and Krystle Wright, who have made impacts in various types of photography.
S01 • E04 He's the only human on this earth who can understand - Photographer 00:09
He's the only human on this earth who can understand
S01 • E01 [Shelton Dupreez] Yeah, standby, - Photographer 00:05
[Shelton Dupreez] Yeah, standby,
S01 • E01 It looks like somebody just dropped a frickin' chandelier right on the ocean. - Photographer 00:05
It looks like somebody just dropped a frickin' chandeli...
S01 • E03 [Dan Winters] Yeah pull that stuff in the back, - Photographer 00:07
[Dan Winters] Yeah pull that stuff in the back,
S01 • E04 And then with, I Love Campbell, like, - Photographer 00:06
And then with, I Love Campbell, like,
S01 • E04 No preconceived notion, - Photographer 00:10
No preconceived notion,
S01 • E01 Looks like our C-O-G is, you know, - Photographer 00:07
Looks like our C-O-G is, you know,
S01 • E06 [Muhammed] I get criticized a lot that, - Photographer 00:07
[Muhammed] I get criticized a lot that,
S01 • E04 -I've spoken a lot of where we've come from - Photographer 00:09
-I've spoken a lot of where we've come from
S01 • E06 If I don't get close to the people, - Photographer 00:07
If I don't get close to the people,
S01 • E01 Are we close to, uh, I want to change our course - Photographer 00:05
Are we close to, uh, I want to change our course
S01 • E04 But it's cool, I kind of like where we are - Photographer 00:17
But it's cool, I kind of like where we are
S01 • E01 So we are trying to already debate, - Photographer 00:07
So we are trying to already debate,
S01 • E06 Some people are blue, some people are green, - Photographer 00:11
Some people are blue, some people are green,
S01 • E03 I think the story with the shipyards is kind of - Photographer 00:12
I think the story with the shipyards is kind of
S01 • E06 And this is where the colors come. - Photographer 00:05
And this is where the colors come.
S01 • E06 I want to share these colors with the world. - Photographer 00:06
I want to share these colors with the world.
S01 • E04 -I want him to be strong and succeed and to have - Photographer 00:07
-I want him to be strong and succeed and to have
S01 • E01 [Cristina Mittermeier] I mean, imagine the radio call going - Photographer 00:07
[Cristina Mittermeier] I mean, imagine the radio call going
S01 • E03 Good to see you, - Photographer 00:08
Good to see you,