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All one piece.
-DAN: Foam latex with the center core -of lead so it could be posed.
-CAROLINE: Yes. When you came on to do the screenwriting
for Nightmare Before Christmas, Sally was a different character. CAROLINE: She was a different shape. She was zaftig,
she was sort of like a vamp. And I couldn't really relate to her. And the character I would lean toward
would be, sort of, more like the Little Match Girl.
She would be more fragile but be able to show how tough she is.
And Rick Heinrichs redesigned her
-DAN: Foam latex with the center core -of lead so it could be posed.
-CAROLINE: Yes. When you came on to do the screenwriting
for Nightmare Before Christmas, Sally was a different character. CAROLINE: She was a different shape. She was zaftig,
she was sort of like a vamp. And I couldn't really relate to her. And the character I would lean toward
would be, sort of, more like the Little Match Girl.
She would be more fragile but be able to show how tough she is.
And Rick Heinrichs redesigned her
Full Transcript
00:00:01.000 --> 00:00:03.461
-All one piece.
-DAN: Foam latex with the center core
00:00:03.544 --> 00:00:05.088
-of lead so it could be posed.
-CAROLINE: Yes.
00:00:06.046 --> 00:00:09.055
When you came on to do the screenwriting
for Nightmare Before Christmas,
00:00:09.717 --> 00:00:10.843
Sally was a different character.
00:00:11.552 --> 00:00:12.097
CAROLINE: She was a different shape.
00:00:13.512 --> 00:00:16.999
She was zaftig,
she was sort of like a vamp.
00:00:16.348 --> 00:00:18.601
And I couldn't really relate to her.
00:00:18.081 --> 00:00:20.978
And the character I would lean toward
would be, sort of, more like
00:00:21.061 --> 00:00:24.106
the Little Match Girl.
She would be more fragile
00:00:24.315 --> 00:00:28.569
but be able to show how tough she is.
And Rick Heinrichs redesigned her.
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Movie Summary
Discover the beloved artifacts behind some of your favorite Disney films in Prop Culture, an Original Series.