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DAN: Phil offered to show me
a real-world demonstration with one of his many monsters he's made
for his ongoing experimental film series. Stop motion never fails to astound me
with the amount of adjusting, tweaking, and perfecting
between every shot, just to get a handful of frames
that barely make up a second. Phil's done this on so many classics,
from Star Wars to RoboCop
a real-world demonstration with one of his many monsters he's made
for his ongoing experimental film series. Stop motion never fails to astound me
with the amount of adjusting, tweaking, and perfecting
between every shot, just to get a handful of frames
that barely make up a second. Phil's done this on so many classics,
from Star Wars to RoboCop
Full Transcript
00:00:01.000 --> 00:00:03.544
DAN: Phil offered to show me
a real-world demonstration
00:00:03.628 --> 00:00:08.048
with one of his many monsters he's made
for his ongoing experimental film series.
00:00:09.424 --> 00:00:14.018
Stop motion never fails to astound me
with the amount of adjusting,
00:00:14.305 --> 00:00:17.392
tweaking, and perfecting
between every shot,
00:00:17.725 --> 00:00:21.395
just to get a handful of frames
that barely make up a second.
00:00:21.645 --> 00:00:25.232
Phil's done this on so many classics,
from Star Wars to RoboCop.
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Movie Summary
Discover the beloved artifacts behind some of your favorite Disney films in Prop Culture, an Original Series.