I loved the idea of the keyboards when we first started. I think as that part of our...
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Alex Lifeson: I loved the idea of the keyboards when we first started. I think as that part of our sound developed, there were times where we just got on the wrong track.
Geddy Lee: Alex and I had some real disagreements about how profound the keyboards should be. But Power Windows is a really important record, because it was the final and essential blending of keyboards and guitar to me, for Rush.
Alex Lifeson: With Power Windows, I found it really, really difficult to work around the way the keyboards were developing. Why am I looking for a different place? I shouldn't be looking for a different place. What's going on with these keyboards? You know, they're not even real. It's not even a real instrument!
Geddy Lee: Alex and I had some real disagreements about how profound the keyboards should be. But Power Windows is a really important record, because it was the final and essential blending of keyboards and guitar to me, for Rush.
Alex Lifeson: With Power Windows, I found it really, really difficult to work around the way the keyboards were developing. Why am I looking for a different place? I shouldn't be looking for a different place. What's going on with these keyboards? You know, they're not even real. It's not even a real instrument!
Full Transcript
00:00:01.000 --> 00:00:03.867
I loved the idea of the keyboards when we first started
00:00:03.097 --> 00:00:06.768
I think as that part of our sound developed
00:00:06.873 --> 00:00:12.402
there were times where we just got on the wrong track
00:00:12.512 --> 00:00:15.208
Alex and I had some real disagreements
00:00:15.314 --> 00:00:18.442
about how profound the keyboard should be
00:00:18.551 --> 00:00:21.452
But Power Windows is a really important record
00:00:21.554 --> 00:00:25.422
because it was the final and essential blending
00:00:25.525 --> 00:00:28.046
of keyboards and guitar to me for Rush
00:00:28.561 --> 00:00:31.621
With Power Windows I found it really really difficult
00:00:31.731 --> 00:00:34.666
to work around the way the keyboards were developing
00:00:34.767 --> 00:00:37.497
Why am I looking for a different place
00:00:37.603 --> 00:00:39.264
I shouldn't be looking for a different place
00:00:39.372 --> 00:00:41.932
What's going on with these keyboards
00:00:42.997 --> 00:00:45.238
You know they're not even real It's not even a real instrument
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Movie Summary
An in-depth look at the Canadian rock band Rush, chronicling the band's musical evolution from their progressive rock sound of the '70s to their current heavy rock style.
