NEW MOVIE HOLLYWOOD

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We couldn't
promise anyone they'd rub elbows
with movie stars, but New York has
one thing Hollywood
doesn’t.

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the "Hollywood Reporter" from coming to the luncheon that was celebrating
the release
of Allen's new movie .

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Well, a reboot, boys, is when Hollywood wants to make
a lot of money without the hassle of creating
a new movie , so they take an old movie
and change just enough to make you pay for
the same shit all over again.

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Howard Keel:
In the 1950s, Hollywood went into a panic that rivaled the advent of talking pictures. A monster had taken over the movie going public. Television. So, the movies went into new technologies, such as cinemascope, stereophonic sound - to try to recapture their audience.

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Whose is it?
Eve:
Some Hollywood movie star's. Her plane got in late.
Karen:
Discouraging, isn't it? Women with furs like that where it never even gets cold.

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in 1994, and spent nine years restoring
and outfitting the museum with some of the most amazing displays
of movie memorabilia ever assembled. I mean, this place is packed with
old and new Hollywood treasures. And lucky for us, they've got an entire
section dedicated to one particular film. But I think we have ti

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Jay: [to Silent Bob] Ooh! Check that shit out, man, the internet! Let's see if those fucks wrote something new about us in that stupid ass flick.
[reads Shooting Range:]
Jay: "Any movie based on Jay and Silent Bob are gonna lick balls, because they both in fact lick balls."
[angrily:]
Jay: Motherfucker! It's time we wrote something back. Type this shit down: All you motherfuckers ar

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ie Bruce: Uh, it's not a remake. It's a reboot.
Jay: What the fuck is a reboot?
Brodie Bruce: Well, a reboot, boys, is when Hollywood wants to make a lot of money without the hassle of creating a new movie . So they take an old movie and change just enough to make you pay for the same shit, all over again.
Jay: Those greedy fucking animals.
Brodie Bruce: Oh, it's insidious! They take a flick you loved a

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Addison DeWitt:
[voiceover intro]
To those of you who do not read, attend the theater, listen to unsponsored radio programs, or know anything of the world in which you live, it is perhaps necessary to...

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Naturally, got in trouble withthe law. -Isn't that Kay Stone? I don't want anyof that to define me. Excuse me. Excuse me. What? -It's Kay Stone over there.-That's her. Who's that? Well, you know, the movie actress.Like, from the 1930s. - Opportunities.- Opportunities? -That was good.-Yeah, yeah. Great movie. - Black Box.-My dad loved her. -Yeah.-Yeah. - She was big?- She was huge. Cameand went. That's

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Mac McDonald: Well, we were young and hungry. There wasn't a job to be had in all of New Hampshire, so we decided to pack our bags and head west, to Hollywood. I wanted to be in the movie business, and Dick, well, he wanted to be...Dick McDonald:Employed.Mac McDonald:So, we landed jobs at Columbia Pictures, driving trucks.Ray Kroc:Huh.Mac McDonald:And after a few years, we've had enou

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A New Hope is,
of course, a perfect movie . Correct. But, talking about
the recent ones, ah, there's one that,
for me, really stands out. Rogue One. Yes! Oh! Oh, that ending! Genuinely a stunner. Oh, not just for the franchise, but for any

Scene Description:
a man is standing in front of a lamp that has a light on it.

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kles]
Chief Irons: . Maybe you can take her out to eat at Planet Hollywood. They got a new one at Gatlin. They've got a great salad. Little wine. Or maybe just take her back to your apartment, rent a movie at Blockbuster, get cozy on the couch. Or... put on some Journey.
[smiles]
Chief Irons: Steve Perry's voice, what it does to a woman's heart.

Scene Description:
a man with a beard is smiling in front of some folders.

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him." Jon Peters, if you don't know, is a producer on movies like... He was an exec producer on Rain Man. He was a producer on Batman. He was a producer on The Main Event, the Barbra Streisand boxing movie . He got his start in the business as Barbra Streisand's hairdresser. One day, he became a producer. Because in Hollywood, you just kind of fail upwards. So anyway, I'm going to meet Jon Peters. I go