Yes, yes. Well, anyway, it brings about whatever it is. Mr. Banks, um, is able. He has a...
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P.L. Travers:
Now, who's reading? And go slowly.Don DaGradi:You start and I'll take over.Robert Sherman:"Autumn. In the early part of the 20th century, 1910. London. At Number 17 Cherry Tree Lane, the Banks household is in an uproar."P.L. Travers:Hold it. Now, I see that Cherry Tree Lane as not too townified on one side of the park. And we'll get you a photograph of 50 Smith Street, in order to see that the house is really quite like that. But it has more of a garden than my house had. But it might be useful and amusing to put it in as my house. You see?Don DaGradi:"Upstairs in the nursery, where Mary is measuring up the children with a long row of tape measure, Mary reads off the tape that Jane is..." Well, first she says, "What kind of material have we got to work with?"P.L. Travers:No, no. That, we cannot have. That would be quite un-English.Richard Sherman:Mrs. Travers, basically what we want to do here is use pretty much what you have in the book.P.L. Travers:Yes, yes. Now, I want this tape measure to be used, because it was a tape measure that my mother had when she was a little girl.Richard Sherman:Mmm-hmm.P.L. Travers:And I think it would be very nice.Don DaGradi:"At the end of the chorus..."P.L. Travers:Read me all that, now.Don DaGradi:We were going to.P.L. Travers:Read it. No, no. You Read it.Don DaGradi:Do you want to bear us?P.L. Travers:No. Go on.Don DaGradi:This is torture!P.L. Travers:Now, go on. "At the end of the chorus..." There ought perhaps to have been people in this countryside, You see? Are you making note of it? And they would be the Pearly people. They'd be arriving and they'd come nearer and they'd see, "Ah. Hmm." They know they are not grand enough to eat at this table. Have you got this on tape? Because I think it's important. I'm not going to do this film unless I'm available for it.Robert Sherman:Well, there are these tapes also, you know.P.L. Travers:No, it's not enough.Robert Sherman:We, uh... We have to feel the impact of it.P.L. Travers:Yes, yes. Well, anyway, it brings about whatever it is. Mr. Banks, um, is able. He has a tender, good heart, not a change of heart, because he's always been sweet, but worried with the cares of life
Now, who's reading? And go slowly.Don DaGradi:You start and I'll take over.Robert Sherman:"Autumn. In the early part of the 20th century, 1910. London. At Number 17 Cherry Tree Lane, the Banks household is in an uproar."P.L. Travers:Hold it. Now, I see that Cherry Tree Lane as not too townified on one side of the park. And we'll get you a photograph of 50 Smith Street, in order to see that the house is really quite like that. But it has more of a garden than my house had. But it might be useful and amusing to put it in as my house. You see?Don DaGradi:"Upstairs in the nursery, where Mary is measuring up the children with a long row of tape measure, Mary reads off the tape that Jane is..." Well, first she says, "What kind of material have we got to work with?"P.L. Travers:No, no. That, we cannot have. That would be quite un-English.Richard Sherman:Mrs. Travers, basically what we want to do here is use pretty much what you have in the book.P.L. Travers:Yes, yes. Now, I want this tape measure to be used, because it was a tape measure that my mother had when she was a little girl.Richard Sherman:Mmm-hmm.P.L. Travers:And I think it would be very nice.Don DaGradi:"At the end of the chorus..."P.L. Travers:Read me all that, now.Don DaGradi:We were going to.P.L. Travers:Read it. No, no. You Read it.Don DaGradi:Do you want to bear us?P.L. Travers:No. Go on.Don DaGradi:This is torture!P.L. Travers:Now, go on. "At the end of the chorus..." There ought perhaps to have been people in this countryside, You see? Are you making note of it? And they would be the Pearly people. They'd be arriving and they'd come nearer and they'd see, "Ah. Hmm." They know they are not grand enough to eat at this table. Have you got this on tape? Because I think it's important. I'm not going to do this film unless I'm available for it.Robert Sherman:Well, there are these tapes also, you know.P.L. Travers:No, it's not enough.Robert Sherman:We, uh... We have to feel the impact of it.P.L. Travers:Yes, yes. Well, anyway, it brings about whatever it is. Mr. Banks, um, is able. He has a tender, good heart, not a change of heart, because he's always been sweet, but worried with the cares of life
Full Transcript
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MRS TRAVERS ON TAPE Now who's reading And go slowly
00:00:04.002 --> 00:00:05.719
DON You start and I'll take over
00:00:05.072 --> 00:00:07.399
BOB Autumn In the early part
00:00:07.004 --> 00:00:09.879
of the 20th century 1910 London
00:00:09.088 --> 00:00:12.039
At Number 17 Cherry Tree Lane
00:00:12.999 --> 00:00:13.639
the Banks household is in an uproar
00:00:13.064 --> 00:00:14.719
MRS TRAVERS Hold it
00:00:14.072 --> 00:00:16.959
Now I see that Cherry Tree Lane
00:00:16.096 --> 00:00:21.768
as not too townified on one side of the park
00:00:22.998 --> 00:00:25.399
And we'll get you a photograph of 50 Smith Street
00:00:25.004 --> 00:00:30.159
in order to see that the house is really quite like that
00:00:30.016 --> 00:00:32.839
But it has more of a garden than my house had
00:00:32.084 --> 00:00:34.839
But it might be useful and amusing
00:00:34.084 --> 00:00:37.002
to put it in as my house You see
00:00:38.076 --> 00:00:40.759
DON Upstairs in the nursery
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where Mary is measuring up the children
00:00:42.084 --> 00:00:45.159
with a long row of tape measure
00:00:45.016 --> 00:00:47.759
Mary reads off the tape that Jane is
00:00:47.076 --> 00:00:48.839
First she says
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What kind of material have we got to work with
00:00:50.044 --> 00:00:52.439
MRS TRAVERS No no That we cannot have
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That would be quite un English
00:00:54.044 --> 00:00:56.759
DICK Mrs Travers basically what we want to do here
00:00:56.076 --> 00:00:58.919
is use pretty much what you have in the book
00:00:58.092 --> 00:01:00.119
MRS TRAVERS Yes yes
00:01:00.012 --> 00:01:02.679
Now I want this tape measure to be used
00:01:02.068 --> 00:01:05.119
because it was a tape measure that my mother had
00:01:05.012 --> 00:01:06.959
when she was a little girl DICK Mmm hmm
00:01:06.999 --> 00:01:09.322
MRS TRAVERS And I think it would be very nice
00:01:09.088 --> 00:01:11.999
DON At the end of the chorus
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MRS TRAVERS Read me all that now
00:01:12.999 --> 00:01:14.279
DON We were going to MRS TRAVERS Read it
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No no You read it
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DON Do you want to bear us CHUCKLES
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MRS TRAVERS No Go on
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DON This is torture CHUCKLES
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MRS TRAVERS Now go on At the end of the chorus
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There ought perhaps to have
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been people in this countryside
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Do you see Are you making note of it
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And they would be the Pearly people
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They'd be arriving and they'd come nearer
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and they'd see Ah Hmm
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They know they are not grand enough to eat at this table
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Have you got this on tape DON Yes Oh yes
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MRS TRAVERS Because I think it's important
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I'm not going to do this film unless I'm available for it
00:01:48.016 --> 00:01:50.319
BOB There are these tapes also you know
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MRS TRAVERS No it's not enough
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BOB We uh We have to feel the impact of it
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MRS TRAVERS Yes yes
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Well anyway it brings about whatever it is
00:01:57.084 --> 00:02:00.839
Mr Banks um is able
00:02:00.084 --> 00:02:04.479
He has a tender good heart Not a change of heart
00:02:04.048 --> 00:02:06.839
Because he's always been sweet
00:02:06.084 --> 00:02:09.999
but worried with the cares of life
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Movie Summary
Author P.L. Travers reflects on her childhood after reluctantly meeting with Walt Disney, who seeks to adapt her Mary Poppins books for the big screen.
Actors
P.l. Travers
Don Dagradi
Robert Sherman
Richard Sherman