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It's big, I'm thinking, it's heavy. The frame's gilt, it's fragile. We've got to get to the top of the
landing, OK? You look at the frame, then you
think, "Right, how do I move that "frame without any of those bits
falling off?" But you can't hold it anywhere
else - you have to hold it by the frame. The worst that can happen is that
someone could drop one of the slings and the painting will
slide back downstairs, you know? OK, one more.
OK, watch that frame
landing, OK? You look at the frame, then you
think, "Right, how do I move that "frame without any of those bits
falling off?" But you can't hold it anywhere
else - you have to hold it by the frame. The worst that can happen is that
someone could drop one of the slings and the painting will
slide back downstairs, you know? OK, one more.
OK, watch that frame
Full Transcript
00:00:01.000 --> 00:00:03.036
It's big, I'm thinking, it's heavy.
00:00:03.036 --> 00:00:05.004
The frame's gilt, it's fragile.
00:00:05.004 --> 00:00:08.056
We've got to get to the top of the
landing, OK?
00:00:08.056 --> 00:00:11.096
You look at the frame, then you
think, "Right, how do I move that
00:00:11.096 --> 00:00:15.068
"frame without any of those bits
falling off?"
00:00:15.068 --> 00:00:18.024
But you can't hold it anywhere
else -
00:00:18.024 --> 00:00:20.052
you have to hold it by the frame.
00:00:20.052 --> 00:00:23.072
The worst that can happen is that
someone could drop one
00:00:23.072 --> 00:00:26.064
of the slings and the painting will
slide back downstairs, you know?
00:00:26.064 --> 00:00:29.008
OK, one more.
OK, watch that frame.
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Movie Summary
With access to some of the world's best restorers and the beguiling collection of the V&A, this series takes the audience behind the scenes of the museum .