Starting working on Raphael, I was very worried that everythinghas been discovered, there...
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Starting working on Raphael, I was very worried that everything
has been discovered, there was nothing left to be found
because it's been studied by so many generations
of art Italians that, "What is left for us to see?" But it's like an epiphany. When you really look closely at it, the object takes life
and comes to you. You discover, the more
you look at it, the more you see
has been discovered, there was nothing left to be found
because it's been studied by so many generations
of art Italians that, "What is left for us to see?" But it's like an epiphany. When you really look closely at it, the object takes life
and comes to you. You discover, the more
you look at it, the more you see
Full Transcript
00:00:01.000 --> 00:00:02.064
Starting working on Raphael,
00:00:02.064 --> 00:00:05.076
I was very worried that everything
has been discovered,
00:00:05.076 --> 00:00:09.052
there was nothing left to be found
because it's been studied
00:00:09.052 --> 00:00:12.036
by so many generations
of art Italians that,
00:00:12.036 --> 00:00:15.028
"What is left for us to see?"
00:00:15.028 --> 00:00:18.032
But it's like an epiphany.
00:00:18.032 --> 00:00:20.064
When you really look closely at it,
00:00:20.064 --> 00:00:24.032
the object takes life
and comes to you.
00:00:24.032 --> 00:00:27.004
You discover, the more
you look at it, the more you see.
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Movie Summary
With access to some of the world's best restorers and the beguiling collection of the V&A, this series takes the audience behind the scenes of the museum .
