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Self - Segment "Schindler's List": He was kind of like an abstract painter who has his canvas and has a palette with extraordinary colors, but, just doesn't know what color to put on that screen first. But, once he's committed, to that color, he was just firing on all cylinders. And there was literally times he was running, physically running, with that camera. Cause a lot of the stuff he shot himself, handheld camera, he'd be running up and down, saying, "Come on, come on, come on. Come with me. Quick, quick quick."
Full Transcript
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He was kind of like an abstract painter
00:00:03.668 --> 00:00:06.959
who has his canvass
00:00:06.959 --> 00:00:10.501
and has a palette of extraordinary colors
00:00:10.501 --> 00:00:12.417
but just doesn't know what color
00:00:12.417 --> 00:00:15.334
to put on that screen first
00:00:15.334 --> 00:00:17.751
But once he's committed to that color
00:00:17.751 --> 00:00:20.709
he was just firing on all cylinders
00:00:20.709 --> 00:00:23.334
And there was literally times he was running
00:00:23.334 --> 00:00:25.084
physically running with that camera
00:00:25.084 --> 00:00:27.501
because a lot of the stuff he shot himself
00:00:27.501 --> 00:00:28.751
Handheld camera
00:00:28.751 --> 00:00:30.376
He'd be running up and down
00:00:30.376 --> 00:00:32.709
saying Come on come with me quick
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Movie Summary
A documentary on Steven Spielberg, filmmaker. Includes interviews with relatives, film critics, peers and people who have worked with him.
