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What? - The costumes are
under construction. Jewel tones.
The set as well. And as I made clear, we are doing
the traditional "Nutcracker." - Balanchine is the only way.
- Exactly. I've already set
most of the dances, so you'll be hopping
on a moving train, as it were. But you'll be taking
a huge weight from me. [knock at door] Natalia Haddad, Tony Jarvis,
our new choreographer. - Natalia.
- Tony. I danced Tony's "Giselle"
a few season ago. - And beautifully. I look forward to working
with you. With both of you. - I have a donors' meeting
in the theater this morning. I will let you catch up. We're so happy
to have you with us. - Ms. Kat. - I know what you were hoping. But as we discussed,
it's too soon. Mr. Jarvis has agreed to
help us through this production on a trial basis. Now, play nice
under construction. Jewel tones.
The set as well. And as I made clear, we are doing
the traditional "Nutcracker." - Balanchine is the only way.
- Exactly. I've already set
most of the dances, so you'll be hopping
on a moving train, as it were. But you'll be taking
a huge weight from me. [knock at door] Natalia Haddad, Tony Jarvis,
our new choreographer. - Natalia.
- Tony. I danced Tony's "Giselle"
a few season ago. - And beautifully. I look forward to working
with you. With both of you. - I have a donors' meeting
in the theater this morning. I will let you catch up. We're so happy
to have you with us. - Ms. Kat. - I know what you were hoping. But as we discussed,
it's too soon. Mr. Jarvis has agreed to
help us through this production on a trial basis. Now, play nice
Full Transcript
00:00:01.000 --> 00:00:02.459
- What?
00:00:04.667 --> 00:00:06.208
- The costumes are
under construction.
00:00:06.292 --> 00:00:08.005
Jewel tones.
The set as well.
00:00:08.584 --> 00:00:09.875
And as I made clear,
00:00:09.958 --> 00:00:12.333
we are doing
the traditional "Nutcracker."
00:00:12.417 --> 00:00:15.167
- Balanchine is the only way.
- Exactly.
00:00:15.025 --> 00:00:17.041
I've already set
most of the dances,
00:00:17.125 --> 00:00:19.625
so you'll be hopping
on a moving train, as it were.
00:00:19.709 --> 00:00:21.958
But you'll be taking
a huge weight from me.
00:00:22.041 --> 00:00:23.667
[knock at door]
00:00:23.075 --> 00:00:27.041
Natalia Haddad, Tony Jarvis,
our new choreographer.
00:00:27.125 --> 00:00:30.025
- Natalia.
- Tony.
00:00:30.333 --> 00:00:32.667
I danced Tony's "Giselle"
a few season ago.
00:00:32.075 --> 00:00:34.459
- And beautifully.
00:00:34.542 --> 00:00:35.958
I look forward to working
with you.
00:00:36.997 --> 00:00:37.625
With both of you.
00:00:37.709 --> 00:00:39.459
- I have a donors' meeting
in the theater this morning.
00:00:39.542 --> 00:00:42.000
I will let you catch up.
00:00:42.998 --> 00:00:45.005
We're so happy
to have you with us.
00:00:45.584 --> 00:00:47.584
- Ms. Kat.
00:00:47.667 --> 00:00:49.709
- I know what you were hoping.
00:00:49.791 --> 00:00:53.375
But as we discussed,
it's too soon.
00:00:53.459 --> 00:00:55.833
Mr. Jarvis has agreed to
help us through this production
00:00:55.916 --> 00:00:58.333
on a trial basis.
00:00:58.417 --> 00:01:00.025
Now, play nice.
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Movie Summary
After failing to get the coveted role of the Sugar Plum Fairy in this year's production of The Nutcracker, Vivíana Serrano joins forces with Natalia, to create a surprise reprise of the Dance of the Sugar Plum Fairy...with a Latin...