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Susie Bannion: At this point the jumps are opposing the pull of the structure, but... it's soon for that, don't you think? The floor work is keeping the other dancers pushed down, so this-
[moves herself about the floor]
Susie Bannion: -this could echo that... on a slightly higher point of elevation. If I stay close to the ground now, and go straight into the jumps where you have them later, then that's... more to the point. The resistance is more... emphatic. Right?
Madame Blanc: I don't know how aware you are of what times we lived through here 40 years ago, out of which this piece was made. We learned at great cost through those years the value of the balance of things. Every arrow that flies feels the pull of the earth, but we must aim upwards. We need to get you in the air
[moves herself about the floor]
Susie Bannion: -this could echo that... on a slightly higher point of elevation. If I stay close to the ground now, and go straight into the jumps where you have them later, then that's... more to the point. The resistance is more... emphatic. Right?
Madame Blanc: I don't know how aware you are of what times we lived through here 40 years ago, out of which this piece was made. We learned at great cost through those years the value of the balance of things. Every arrow that flies feels the pull of the earth, but we must aim upwards. We need to get you in the air
Full Transcript
00:00:01.000 --> 00:00:06.758
At this point the jumps are opposing the pull of the structure but
00:00:06.076 --> 00:00:09.605
It's soon for that don't you think
00:00:09.607 --> 00:00:14.949
The floor work is is keeping the other dancers pushed down
00:00:14.951 --> 00:00:19.752
So this this could echo that
00:00:24.488 --> 00:00:28.167
on on a slightly higher point of elevation
00:00:30.632 --> 00:00:35.273
If I stay close to the ground now and go straight into the jumps where you have them later
00:00:36.003 --> 00:00:40.358
Then that's more to the point
00:00:40.036 --> 00:00:44.934
The resistance is more emphatic
00:00:44.936 --> 00:00:46.002
Right
00:00:49.352 --> 00:00:54.374
I don't know how aware you are
00:00:54.376 --> 00:00:57.512
of what times we lived through here 40 years ago
00:01:00.233 --> 00:01:02.001
Out of which this piece was made
00:01:03.592 --> 00:01:09.001
We learned a great cost through those years the value of the balance of things
00:01:09.161 --> 00:01:14.001
Every arrow that flies feels the pull of the earth
00:01:14.028 --> 00:01:16.002
But we must aim upwards
00:01:18.999 --> 00:01:20.003
We need to get you in the air
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Movie Summary
Young American dancer Susie Bannion arrives in 1970s Berlin to audition for the world-renowned Helena Markos Dance Company. When she vaults to the role of lead dancer, the woman she replaces breaks down and accuses the company's female directors of witchcraft. Meanwhile, an inquisitive psychotherapist and a member of the troupe uncover dark and sinister secrets as they probe the depths of the studio's hidden underground chambers.
