We don't want to play ittoo close to that, but the whole thing of a scoundrel and the...
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We don't want to play it
too close to that, but the whole thing of a scoundrel and the audience expects him
to have a heart of gold. BERGMAN: Because of the scope
of what we're doing, it's not a schedule
based on actor's availability, like most movies are. It's a schedule based on
when sets are going to be ready. So I have to see
when are those people going to work. They've got something else,
they've got windows
too close to that, but the whole thing of a scoundrel and the audience expects him
to have a heart of gold. BERGMAN: Because of the scope
of what we're doing, it's not a schedule
based on actor's availability, like most movies are. It's a schedule based on
when sets are going to be ready. So I have to see
when are those people going to work. They've got something else,
they've got windows
Full Transcript
00:00:01.000 --> 00:00:03.252
We don't want to play it
too close to that,
00:00:03.042 --> 00:00:05.588
but the whole thing of a scoundrel
00:00:05.672 --> 00:00:08.999
and the audience expects him
to have a heart of gold.
00:00:08.172 --> 00:00:11.508
BERGMAN: Because of the scope
of what we're doing,
00:00:11.592 --> 00:00:14.012
it's not a schedule
based on actor's availability,
00:00:14.096 --> 00:00:15.724
like most movies are.
00:00:15.804 --> 00:00:18.432
It's a schedule based on
when sets are going to be ready.
00:00:18.516 --> 00:00:21.644
So I have to see
when are those people going to work.
00:00:21.728 --> 00:00:24.188
They've got something else,
they've got windows.
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Movie Summary
An intimate documentary delving into Rian Johnson's process as he comes in as a director new to the Star Wars universe.
