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The Eyes of Orson Welles

CARRIAGE CLATTERS You arrive at where the sex is to happen -your own home in Madrid, Orson

CARRIAGE CLATTERS You arrive at where the sex is to happen -
your own home in Madrid, Orson

Full Transcript

00:00:01.000 --> 00:00:03.036
CARRIAGE CLATTERS
00:00:06.016 --> 00:00:11.012
You arrive at where the sex is to happen - your own home in Madrid, Orson.
Duration
11 seconds
Views
27
Timestamp in Movie
01:22:34
Uploaded
Jun 22, 2025
Genres
documentary
Production
BofA Productions,BBC,FilmStruck

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Movie Summary

Mark Cousins dives deep into the visual world of legendary director and actor Orson Welles to reveal a portrait of the artist as he's never been seen before.
And here's your Hank Quinlan in Touch of Evil. - The Eyes of Orson Welles 00:04
And here's your Hank Quinlan in Touch of Evil.
Belly first, then looming above the camera, - The Eyes of Orson Welles 00:07
Belly first, then looming above the camera,
He's a king in his own mind, a detective who thinks the law is for little people, - The Eyes of Orson Welles 00:09
He's a king in his own mind, a detective who thinks the...
He's above the law and bends it to his will. - The Eyes of Orson Welles 00:04
He's above the law and bends it to his will.
Beyond their visual and legal lives, - The Eyes of Orson Welles 00:07
Beyond their visual and legal lives,
They can't escape their own power, their own thoughts. - The Eyes of Orson Welles 00:06
They can't escape their own power, their own thoughts.
Beatrice tells us this was painted in frustration - The Eyes of Orson Welles 00:08
Beatrice tells us this was painted in frustration
It's an isolation picture, too, isn't it? - The Eyes of Orson Welles 00:04
It's an isolation picture, too, isn't it?
A Piranesi in the desert. You were the king forced to abdicate. - The Eyes of Orson Welles 00:06
A Piranesi in the desert. You were the king forced to abdica...
NARRATOR: Intense visuals, a man above the law, isolation. - The Eyes of Orson Welles 00:05
NARRATOR: Intense visuals, a man above the law, isolation.
You know where this is leading, I'm sure. To Scotland, and your film, Macbeth. - The Eyes of Orson Welles 00:06
You know where this is leading, I'm sure. To Scotland, ...
You'd first imagined Macbeth in your teens, - The Eyes of Orson Welles 00:08
You'd first imagined Macbeth in your teens,
And we've seen your Voodoo Macbeth of 1936. - The Eyes of Orson Welles 00:05
And we've seen your Voodoo Macbeth of 1936.
Just nine years later - what a long nine years they must have seemed - - The Eyes of Orson Welles 00:11
Just nine years later - what a long nine years they must hav...
You were filming it on the cheap for a B-movie studio. - The Eyes of Orson Welles 00:05
You were filming it on the cheap for a B-movie studio.
You imagined the film's landscape with angular trees against the sky. - The Eyes of Orson Welles 00:06
You imagined the film's landscape with angular trees ag...
The film would be shot quickly in a studio, - The Eyes of Orson Welles 00:06
The film would be shot quickly in a studio,
PEN SCRATCHES - The Eyes of Orson Welles 00:08
PEN SCRATCHES
The characters were to be horned, like cattle or rams. - The Eyes of Orson Welles 00:05
The characters were to be horned, like cattle or rams.
It was your most graphic film. The witches' pagan symbols. - The Eyes of Orson Welles 00:06
It was your most graphic film. The witches' pagan symbo...