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The Eyes of Orson Welles

"Dearest little loved one", you wrote, "I love you more tonight than ever -really, really...

"Dearest little loved one", you wrote, "I love you more tonight than ever -
really, really - even more!" And how's this for the look of love?

Full Transcript

00:00:01.000 --> 00:00:04.048
"Dearest little loved one", you wrote,
00:00:04.056 --> 00:00:09.056
"I love you more tonight than ever - really, really - even more!"
00:00:12.002 --> 00:00:14.068
And how's this for the look of love?
Duration
15 seconds
Views
28
Timestamp in Movie
00:56:03
Uploaded
Jun 22, 2025
Genres
documentary
Production
BofA Productions,BBC,FilmStruck

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Movie Summary

Mark Cousins dives deep into the visual world of legendary director and actor Orson Welles to reveal a portrait of the artist as he's never been seen before.
You move in again. The point of view of a kiss? - The Eyes of Orson Welles 00:06
You move in again. The point of view of a kiss?
♪ Don't take your arms - The Eyes of Orson Welles 00:17
♪ Don't take your arms
Framed along one of your famed diagonals. - The Eyes of Orson Welles 00:04
Framed along one of your famed diagonals.
♪ ...the rain will start... ♪ - The Eyes of Orson Welles 00:13
♪ ...the rain will start... ♪
♪ Don't love me... ♪ - The Eyes of Orson Welles 00:11
♪ Don't love me... ♪
♪ Then don't take your lips - The Eyes of Orson Welles 00:12
♪ Then don't take your lips
♪ ...away ♪ - The Eyes of Orson Welles 00:10
♪ ...away ♪
You cast your third wife, Paola, as your daughter in Mr Arkadin, Orson. - The Eyes of Orson Welles 00:06
You cast your third wife, Paola, as your daughter in Mr Arka...
A film about a powerful man with a mysterious past - The Eyes of Orson Welles 00:06
A film about a powerful man with a mysterious past
NARRATOR: And you gave Paola these concerned close-ups - The Eyes of Orson Welles 00:07
NARRATOR: And you gave Paola these concerned close-ups
- Tell him it's too late! - It's too late. - The Eyes of Orson Welles 00:04
- Tell him it's too late! - It's too late.
INTERVIEWER: This relationship with your mother, did he woo her? - The Eyes of Orson Welles 00:04
INTERVIEWER: This relationship with your mother, did he woo ...
They were in Fregenae and she was walking on the beach - The Eyes of Orson Welles 00:08
They were in Fregenae and she was walking on the beach
She was a young starlet and the next day, she got a phone call. - The Eyes of Orson Welles 00:06
She was a young starlet and the next day, she got a phone ca...
It was Visconti's assistant and he said, - The Eyes of Orson Welles 00:08
It was Visconti's assistant and he said,
And she went rushing over there and instead, she met Orson Welles. - The Eyes of Orson Welles 00:05
And she went rushing over there and instead, she met Orson W...
NARRATOR: In 1961, while filming The Trial, you met Oja Kodar. - The Eyes of Orson Welles 00:06
NARRATOR: In 1961, while filming The Trial, you met Oja Koda...
Look how you introduced her in F for Fake. - The Eyes of Orson Welles 00:04
Look how you introduced her in F for Fake.
Glimpsed, glanced, ogled, long-lens, the centre of a network of men's looks. - The Eyes of Orson Welles 00:08
Glimpsed, glanced, ogled, long-lens, the centre of a network...
No scene in your films is more about looking, its splinters and seductions. - The Eyes of Orson Welles 00:05
No scene in your films is more about looking, its splinters ...