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Don't take your arms
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The Eyes of Orson Welles

And then closer still on Rita

�� Don't take your arms ♪ Away ♪ Comes a change in weather... ♪ NARRATOR: And then closer still on Rita

Full Transcript

00:00:01.000 --> 00:00:04.008
♪ Don't take your arms
00:00:05.048 --> 00:00:07.084
♪ Away
00:00:10.072 --> 00:00:13.008
♪ Comes a change in weather... ♪
00:00:14.002 --> 00:00:16.068
NARRATOR: And then closer still on Rita.
Duration
17 seconds
Views
32
Timestamp in Movie
00:56:24
Uploaded
Jun 22, 2025
Genres
documentary
Production
BofA Productions,BBC,FilmStruck

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Movie Summary

Mark Cousins dives deep into the visual world of legendary director and actor Orson Welles to reveal a portrait of the artist as he's never been seen before.
Framed along one of your famed diagonals. - The Eyes of Orson Welles 00:04
Framed along one of your famed diagonals.
♪ ...the rain will start... ♪ - The Eyes of Orson Welles 00:13
♪ ...the rain will start... ♪
♪ Don't love me... ♪ - The Eyes of Orson Welles 00:11
♪ Don't love me... ♪
♪ Then don't take your lips - The Eyes of Orson Welles 00:12
♪ Then don't take your lips
♪ ...away ♪ - The Eyes of Orson Welles 00:10
♪ ...away ♪
You cast your third wife, Paola, as your daughter in Mr Arkadin, Orson. - The Eyes of Orson Welles 00:06
You cast your third wife, Paola, as your daughter in Mr Arka...
A film about a powerful man with a mysterious past - The Eyes of Orson Welles 00:06
A film about a powerful man with a mysterious past
NARRATOR: And you gave Paola these concerned close-ups - The Eyes of Orson Welles 00:07
NARRATOR: And you gave Paola these concerned close-ups
- Tell him it's too late! - It's too late. - The Eyes of Orson Welles 00:04
- Tell him it's too late! - It's too late.
INTERVIEWER: This relationship with your mother, did he woo her? - The Eyes of Orson Welles 00:04
INTERVIEWER: This relationship with your mother, did he woo ...
They were in Fregenae and she was walking on the beach - The Eyes of Orson Welles 00:08
They were in Fregenae and she was walking on the beach
She was a young starlet and the next day, she got a phone call. - The Eyes of Orson Welles 00:06
She was a young starlet and the next day, she got a phone ca...
It was Visconti's assistant and he said, - The Eyes of Orson Welles 00:08
It was Visconti's assistant and he said,
And she went rushing over there and instead, she met Orson Welles. - The Eyes of Orson Welles 00:05
And she went rushing over there and instead, she met Orson W...
NARRATOR: In 1961, while filming The Trial, you met Oja Kodar. - The Eyes of Orson Welles 00:06
NARRATOR: In 1961, while filming The Trial, you met Oja Koda...
Look how you introduced her in F for Fake. - The Eyes of Orson Welles 00:04
Look how you introduced her in F for Fake.
Glimpsed, glanced, ogled, long-lens, the centre of a network of men's looks. - The Eyes of Orson Welles 00:08
Glimpsed, glanced, ogled, long-lens, the centre of a network...
No scene in your films is more about looking, its splinters and seductions. - The Eyes of Orson Welles 00:05
No scene in your films is more about looking, its splinters ...
So, you loved places, Orson, and you loved visually. - The Eyes of Orson Welles 00:05
So, you loved places, Orson, and you loved visually.
The third aspect of your love life is its attraction to chivalry. - The Eyes of Orson Welles 00:07
The third aspect of your love life is its attraction to chiv...