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'That characteristic could be obtrusive
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The Final Game of Death

'That characteristic could be obtrusive, 'like the darknessin the Abdul-Jabbar fight, 'or...

'That characteristic could be obtrusive, 'like the darkness
in the Abdul-Jabbar fight, 'or insidious like the harsh red light
in this one

Full Transcript

00:00:01.000 --> 00:00:03.085
'That characteristic could be obtrusive,
00:00:03.021 --> 00:00:05.588
'like the darkness in the Abdul-Jabbar fight,
00:00:05.713 --> 00:00:09.991
'or insidious like the harsh red light in this one.
Duration
10 seconds
Views
23
Timestamp in Movie
01:47:13
Uploaded
Apr 16, 2025
Genres
documentary
Production
Arrow Films

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Movie Summary

A brand new three-hour video essay by Arrow Films that incorporates a new 2K restoration of all two hours of Bruce Lee’s original dailies for Game of Death from a recently-discovered interpositive.
'But given the planned order of these three levels, - The Final Game of Death 00:10
'But given the planned order of these three levels,
'All this is further evidence that, for Lee, - The Final Game of Death 00:15
'All this is further evidence that, for Lee,
'The second day's filming begins with the second angle, - The Final Game of Death 00:08
'The second day's filming begins with the second a...
'Two takes of an additional angle - The Final Game of Death 00:08
'Two takes of an additional angle
'If this feint is intended to demonstrate - The Final Game of Death 00:16
'If this feint is intended to demonstrate
'Another aspect of Lee's choreography is the camerawork. - The Final Game of Death 00:06
'Another aspect of Lee's choreography is the camer...
'Many fans and critics championed his naturalistic approach - The Final Game of Death 00:19
'Many fans and critics championed his naturalistic appr...
'This is certainly true, - The Final Game of Death 00:07
'This is certainly true,
'Much credit goes to the film's cinematographer, Tadashi Nishimoto, - The Final Game of Death 00:10
'Much credit goes to the film's cinematographer, T...
'But it's when the camera moves, even slightly, - The Final Game of Death 00:09
'But it's when the camera moves, even slightly,
'A good example would be the shaky point-of-view shot of Ji Han-jae - The Final Game of Death 00:14
'A good example would be the shaky point-of-view shot o...
'And it's no accident that we are seeing this through the hero's eyes. - The Final Game of Death 00:06
'And it's no accident that we are seeing this thro...
'For this reason, we, as an audience, - The Final Game of Death 00:08
'For this reason, we, as an audience,
'Further evidence of this would be when Lee circles around his opponent. - The Final Game of Death 00:06
'Further evidence of this would be when Lee circles aro...
'He extends out one arm to keep his distance, - The Final Game of Death 00:08
'He extends out one arm to keep his distance,
'Here, the camera moves in tandem with Lee, - The Final Game of Death 00:17
'Here, the camera moves in tandem with Lee,
'With these creative choices highlighted, - The Final Game of Death 00:07
'With these creative choices highlighted,
'It is objective in capturing the authenticity - The Final Game of Death 00:14
'It is objective in capturing the authenticity
'At this point in the narrative, - The Final Game of Death 00:07
'At this point in the narrative,
'Tien's underhand method to reach the top level - The Final Game of Death 00:09
'Tien's underhand method to reach the top level