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Where's your brotherI sent him away He wasn't feeling wellYou know how he is He worriesYeah I knowHe gets that from your mother I'm afraidShe always worried too muchWhat are you looking atHmOh yeah

Now, come on. You know as well as I do that the light in Barcelona is quite different from...

The Lake House • 2006

Simon Wyler:
Where's your brother?Alex:I sent him away. He wasn't feeling well. You know how he is, he worries.Simon Wyler:Yeah, I know. He gets that from your mother, I'm afraid. She always worried too much.Alex:What are you looking at?Simon Wyler:Hmm? Oh, yeah, here, take a gander. It's a proposal for a museum.Alex:Who is it?Simon Wyler:Someone new.Alex:Oh, I like the walkways, where the light falls. What are the materials?Simon Wyler:Granite. Aluminum.Alex:White panels are straight out of Meier... but the interior color coming through the front windows, that's different. It's not new, but it's clean, uncluttered. I like it.Simon Wyler:When was the last time you were in Barcelona?Alex:Years ago, with you, Mom and Henry.Simon Wyler:Do you remember visiting Casa de la Caritat?Alex:The almshouse.Simon Wyler:That's right. You mentioned Meier. His Barcelona museum stands in the same area as Casa de la Caritat. It drinks the same light. Meier designed a series of louvered skylights to capture that light and cast it inward to illuminate the art within, but indirectly. And, that was important, because although light enhances art, it can also degrade it. But, you know all that already, you son of a gun. Now, this... where do you suppose this is to be built?Alex:I have no idea.Simon Wyler:Oh, but you said you liked it.Alex:Conceptually.Simon Wyler:Now, come on. You know as well as I do that the light in Barcelona is quite different from the light in Tokyo. And, the light in Tokyo is different from that in Prague. A truly great structure, one that is meant to stand the tests of time never disregards its environment. A serious architect takes that into account. He knows that if he wants presence, he must consult with nature. He must be captivated by the light. Always the light. Always

Full Transcript

00:00:01.000 --> 00:00:03.167

Where's your brother

00:00:03.169 --> 00:00:05.603

I sent him away He wasn't feeling well

00:00:05.605 --> 00:00:07.471

You know how he is He worries

00:00:07.473 --> 00:00:08.706

Yeah I know

00:00:08.708 --> 00:00:10.908

He gets that from your mother I'm afraid

00:00:10.091 --> 00:00:13.244

She always worried too much

00:00:13.246 --> 00:00:14.679

What are you looking at

00:00:14.681 --> 00:00:15.068

Hm

00:00:15.682 --> 00:00:17.682

Oh yeah here take a gander

00:00:17.684 --> 00:00:20.884

It's a proposal for a museum

00:00:20.886 --> 00:00:22.042

Who is it

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Oh someone new

00:00:25.358 --> 00:00:28.859

Oh I like the walkways where the light falls

00:00:28.861 --> 00:00:30.628

What are the materials

00:00:30.063 --> 00:00:33.001

Granite Aluminum

00:00:33.997 --> 00:00:35.006

White panels are straight out of Meier

00:00:35.602 --> 00:00:38.998

but the interior color coming through the front windows

00:00:38.007 --> 00:00:40.938

that's different

00:00:40.094 --> 00:00:44.508

It's not new but it's clean uncluttered

00:00:44.051 --> 00:00:46.377

I like it

00:00:46.379 --> 00:00:49.847

When was the last time you were in Barcelona

00:00:51.617 --> 00:00:54.285

Years ago with you Mom and Henry

00:00:54.287 --> 00:00:57.003

Do you remember visiting Casa de la Caritat

00:00:58.999 --> 00:00:59.923

The almshouse Mm hm

00:00:59.925 --> 00:01:02.593

That's right You mentioned Meier

00:01:02.595 --> 00:01:05.429

His Barcelona museum stands in the same area

00:01:05.431 --> 00:01:07.999

as Casa de la Caritat

00:01:07.007 --> 00:01:09.001

It drinks the same light

00:01:09.902 --> 00:01:13.571

Meier designed a series of louvered skylights

00:01:13.999 --> 00:01:15.997

to capture that light

00:01:15.006 --> 00:01:18.142

and cast it inward to illuminate the art within

00:01:18.001 --> 00:01:20.006

but indirectly

00:01:20.002 --> 00:01:21.279

And that was important

00:01:21.001 --> 00:01:24.848

because although light enhances art

00:01:24.999 --> 00:01:26.584

it can also degrade it

00:01:26.586 --> 00:01:29.999

But you know all that already you son of a

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Now this

00:01:34.997 --> 00:01:36.226

where do you suppose this is to be built

00:01:36.999 --> 00:01:37.461

I have no idea

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Oh but you said you liked it

00:01:38.798 --> 00:01:40.002

Conceptually

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Now come on

00:01:42.568 --> 00:01:45.001

You know as well as I do that the light in Barcelona

00:01:45.271 --> 00:01:47.971

is quite different from the light in Tokyo

00:01:47.973 --> 00:01:51.001

And the light in Tokyo is different from that in Prague

00:01:51.277 --> 00:01:53.511

A truly great structure

00:01:53.001 --> 00:01:57.999

one that is meant to stand the tests of time

00:01:57.483 --> 00:02:00.184

never disregards its environment

00:02:00.001 --> 00:02:02.001

A serious architect takes that into account

00:02:02.188 --> 00:02:04.154

He knows that if he wants presence

00:02:04.001 --> 00:02:07.124

he must consult with nature

00:02:07.126 --> 00:02:09.999

He must be captivated

00:02:09.495 --> 00:02:11.001

by the light

00:02:11.999 --> 00:02:15.013

Always the light Always

00:00:01.000 --> 00:00:04.094

على الرحب و السعة أين أخاك

00:00:04.027 --> 00:00:06.397

طلبت منه الذهاب لم يكن بخير

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أنت تعرفه إنه شديد القلق أجل أعلم

00:00:09.709 --> 00:00:11.802

لقد ورث ذلك عن والدتك أنا خائف

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كانت شديدة القلق كثيرا

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ما الذي تنظر إليه

00:00:16.075 --> 00:00:18.547

أجل هنا ألق نظرة

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إنه عرض لمتحف

00:00:22.322 --> 00:00:25.519

من هذا شخص جديد

00:00:26.426 --> 00:00:29.725

أحب المسارات حيث مسقط الضوء

00:00:29.929 --> 00:00:31.556

ما هي المواد

00:00:31.965 --> 00:00:33.956

الغرانيت و الألمنيوم

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الفسيفساء البيضاء خارجة من الـ ماير

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و لكن الألوان الداخلية التي تنعكس أمام النافذة مميزة

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ليس جديدا و لكنه نقي و منظم

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أعجبني

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متى كانت آخر مرة كنت فيها في برشلونة

00:00:52.685 --> 00:00:55.153

منذ سنوات معك و مع أمي و هنري

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هل تذكر زيارتنا لـ كازا دي لاكاريتا

00:00:59.159 --> 00:01:00.786

ملجأ الفقراء

00:01:00.994 --> 00:01:03.462

هذا صحيح ذكرت ماير

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متحفه البرشلوني يقع في المنطقة نفسها لـ كازا دي لاكاريتا

00:01:08.768 --> 00:01:10.759

إنه يستقي الضوء نفسه

00:01:10.097 --> 00:01:15.873

صمم ماير سلسلة من اطارات النوافذ السقفية لالتقاط ذلك الضوء

00:01:16.999 --> 00:01:20.876

و وجهه للداخل لإضاءة العمل الفني من الداخل و لكن بصورة غير مباشرة

00:01:21.114 --> 00:01:26.108

و ذلك كان مهما فبالرغم من أن الضوء يزيد جمال الفن

00:01:26.319 --> 00:01:31.012

و من الممكن أيضا أن يحقر منه و لكنك تعلم كل ذلك مسبقا يا بني

00:01:31.291 --> 00:01:33.191

و الآن هذا

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أين يمكن أن يبنى هذا في اعتقادك

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ليس لدي أدنى فكرة

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و لكنك قلت أنه أعجبك من حيث الفكرة

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الآن هيا

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أتعلم كما أنا أعلم أن الضوء في برشلونة

00:01:46.506 --> 00:01:48.872

يختلف تماما عن الضوء في طوكيو

00:01:49.002 --> 00:01:52.136

و الضوء في طوكيو يختلف عن الذي في براغ

00:01:52.345 --> 00:01:58.999

المبنى الخالد الذي من المفترض أنه يجتاز اختبارات الزمن

00:01:58.551 --> 00:02:01.002

لا يتجاهل أبدا البيئة المحيطة به

00:02:01.254 --> 00:02:03.002

المهندس المعماري يأخذ ذلك بالإعتبار

00:02:03.256 --> 00:02:07.989

هو يعلم أنه إذا أراد أن يكون للشيء حضور فلابد أن يأخذ برأي الطبيعة

00:02:08.999 --> 00:02:12.001

لابد له أن يتعقب سحر الضوء

00:02:12.999 --> 00:02:16.001

دائما الضوء دائما

00:00:01.000 --> 00:00:03.004

De rien Où est ton frère

00:00:04.027 --> 00:00:06.397

Je lui ai dit de rentrer Il se sentait mal

00:00:06.605 --> 00:00:09.506

Tu sais comme il est anxieux Oui je sais

00:00:09.708 --> 00:00:11.801

Il tient ça de ta mère je le crains

00:00:12.578 --> 00:00:14.045

Elle s'inquiétait toujours

00:00:14.246 --> 00:00:15.941

Que regardes tu

00:00:16.749 --> 00:00:18.546

Tiens prends le

00:00:18.751 --> 00:00:22.118

C'est un projet de musée

00:00:22.321 --> 00:00:25.518

Qui est ce Quelqu'un de nouveau

00:00:26.425 --> 00:00:29.724

J'aime les couloirs baignés de lumière

00:00:29.929 --> 00:00:31.556

Quels sont les matériaux

00:00:31.964 --> 00:00:33.955

Granit Aluminium

00:00:34.166 --> 00:00:36.634

Les panneaux blancs rappellent Meier

00:00:36.836 --> 00:00:40.465

mais le jeu de lumière à travers les persiennes c'est différent

00:00:42.979 --> 00:00:45.034

Ce n'est pas nouveau mais c'est net et aéré

00:00:45.578 --> 00:00:46.806

Ça me plaît

00:00:47.847 --> 00:00:50.907

A quand remonte ton dernier voyage à Barcelone

00:00:52.685 --> 00:00:55.153

Quand on y a été avec maman toi et Henry

00:00:55.354 --> 00:00:57.982

Tu te souviens de la Casa de la Caritat

00:00:59.158 --> 00:01:00.042

L'hospice

00:01:00.993 --> 00:01:03.461

Oui Tu m'as parlé de Meier

00:01:03.662 --> 00:01:08.565

Son musée à Barcelone a été bâti tout près de la Casa de la Caritat

00:01:08.767 --> 00:01:10.758

Il est baigné de la même lumière

00:01:10.097 --> 00:01:15.873

Meier a conçu une série de fenêtres à persiennes pour capturer la lumière

00:01:16.108 --> 00:01:20.875

qui illumine l'art exposé mais toujours indirectement

00:01:21.113 --> 00:01:26.107

Et c'était important parce que si la lumière sert l'art

00:01:26.318 --> 00:01:31.119

elle peut aussi le dégrader Mais ça tu le sais déjà évidemment

00:01:31.001 --> 00:01:32.001

Ça par contre

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Sais tu où ça doit être construit

00:01:37.999 --> 00:01:38.387

Je n'en sais rien

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Tu as dit que tu aimais Le concept

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Allons

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Tu sais que la lumière à Barcelone

00:01:46.505 --> 00:01:48.871

est différente de la lumière à Tokyo

00:01:49.997 --> 00:01:52.001

Et que la lumière à Tokyo est différente de celle de Prague

00:01:52.999 --> 00:01:58.034

Une structure de qualité construite pour résister au dictat du temps

00:01:58.551 --> 00:02:01.002

n'ignore jamais son environnement

00:02:01.253 --> 00:02:03.997

Un architecte doit s'en souvenir

00:02:03.255 --> 00:02:07.988

Il sait qu'il doit consulter la nature pour imposer sa construction

00:02:08.999 --> 00:02:11.001

Il doit être captivé par la lumière

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Toujours la lumière Toujours

00:00:01.000 --> 00:00:04.015

Не за что А где твой брат

00:00:04.253 --> 00:00:06.488

Я отправил его домой он нездоров

00:00:06.589 --> 00:00:09.616

Он очень волнуется за тебя Да я знаю

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Это он унаследовал от матери

00:00:12.595 --> 00:00:14.162

Она много волновалась

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Что ты читаешь

00:00:16.766 --> 00:00:18.566

А это На глянь

00:00:18.768 --> 00:00:21.001

Это проект здания музея

00:00:22.313 --> 00:00:25.513

Кто автор Кто то из молодых

00:00:26.442 --> 00:00:29.845

Галереи мне нравятся Освещение хорошее

00:00:29.946 --> 00:00:31.396

Какие материалы

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Гранит Алюминий

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Белые панели точно как у Майера

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но цвет интерьеров видимый через окна фасада это по другому

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Не оригинально но чисто и строго

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Мне нравится

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Когда ты в последний раз был в Барселоне

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Много лет назад с тобой мамой и Генри

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Помнишь как мы были в Каса де ла Каритат

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Приют для бедных

00:01:00.977 --> 00:01:03.377

Точно Ты вспомнил Майера

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Его барселонский музей расположен совсем рядом с Каса де ла Каритат

00:01:08.776 --> 00:01:10.886

Он пронизан тем же светом

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Майер установил там световые люки с жалюзи чтобы схватить этот свет

00:01:16.117 --> 00:01:21.001

завлечь его внутрь осветить им картины на стенах но не прямо

00:01:21.122 --> 00:01:26.999

И это самое важное потому что хотя свет усиливает живопись

00:01:26.999 --> 00:01:31.999

он может испортить ее Но ты все это уже знаешь сукин ты сын

00:01:31.001 --> 00:01:32.001

А вот это

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как думаешь где это строить

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Понятия не имею

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Ты сказал тебе нравится Концепция

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Да брось пожалуйста

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Ты отлично понимаешь что свет в Барселоне

00:01:46.001 --> 00:01:48.001

совсем не такой как свет в Токио

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А свет в Токио совсем не такой как в Праге

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Истинно великое здание способное выдержать испытание временем

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всегда задумывается с учетом места

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Архитектор учитывает это

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Если хочешь творить на века о природе нельзя забывать

00:02:08.001 --> 00:02:11.999

Необходимо быть одержимым светом

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Всегда помни о свете Всегда помни

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De nada

00:00:02.201 --> 00:00:03.566

Dónde está tu hermano

00:00:04.337 --> 00:00:06.532

Lo mandé a casa No se sentía bien

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Ya sabes cómo es se preocupa

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Síi Lo heredó de tu madre

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Siempre se preocupaba mucho

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Qué estás leyendo

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Síi mira Es una propuesta para un museo

00:00:22.256 --> 00:00:23.045

Quién es

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Alguien nuevo

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Me gustan los andenes y cómo cae la luz

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Qué materiales son

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Granito aluminio

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Los paneles blancos están sacados de Meier

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pero el color interior que pasa por las ventanas es algo diferente

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No es nuevo pero sí es limpio despejado

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Me gusta

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Cuándo fue la última vez que estuviste en Barcelona

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Hace años con mamá Henry y tú

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Recuerdas haber visitado la Casa de la Caritat

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El asilo de ancianos

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Así es Mencionaste a Meier

00:01:03.632 --> 00:01:08.569

Su museo en Barcelona está en la misma área que la Casa de la Caritat

00:01:08.999 --> 00:01:10.001

Bebe la misma luz

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Meier diseñó una serie de tragaluces para capturar esa luz

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y hacerla entrar para iluminar el arte adentro pero indirectamente

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Y eso era importante porque aunque la luz realza el arte

00:01:26.999 --> 00:01:31.157

también puede degradarlo Pero eso ya lo sabes tú campeón

00:01:31.361 --> 00:01:32.001

Ahora esto

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Dónde crees que esto deba construirse

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No tengo idea

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Pero dijiste que te gustaba Conceptualmente

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Vamos

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Sabes igual que yo que la luz de Barcelona

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es muy diferente a la luz de Tokio

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Y la luz en Tokio es diferente a la luz en Praga

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Una estructura verdaderamente grandiosa una que perdure al pasar el tiempo

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nunca descuida su medio ambiente

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Un arquitecto serio toma eso en cuenta

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Sabe que si quiere presencia debe consultar con la naturaleza

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La luz debe cautivarlo

00:02:12.999 --> 00:02:15.238

La luz siempre Siempre

Available in 5 languages

Duration

136 seconds

Views

1,936

Timestamp in Movie

01:03:51

Uploaded

Nov 24, 2022

Genres

drama, fantasy, romance

Production

Vertigo Entertainment

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Movie Summary

A lonely doctor who once occupied an unusual lakeside house begins to exchange love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too lat

Actors

Simon Wyler

Christopher Plummer

Alex Wyler