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When I read the book,
"The Mothman Prophecies," I immediately knew that it
was addressing something that had been brewing inside
me for a while, which was, is there a way to write a movie in which someone
experiences the paranormal, but does not come away
solving a mystery or a crime?
"The Mothman Prophecies," I immediately knew that it
was addressing something that had been brewing inside
me for a while, which was, is there a way to write a movie in which someone
experiences the paranormal, but does not come away
solving a mystery or a crime?
Full Transcript
00:00:01.000 --> 00:00:03.589
- When I read the book,
"The Mothman Prophecies,"
00:00:03.623 --> 00:00:07.075
I immediately knew that it
was addressing something
00:00:07.109 --> 00:00:10.354
that had been brewing inside
me for a while, which was,
00:00:10.389 --> 00:00:12.253
is there a way to write a movie
00:00:12.287 --> 00:00:14.841
in which someone
experiences the paranormal,
00:00:14.876 --> 00:00:19.501
but does not come away
solving a mystery or a crime?
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Movie Summary
One of the most frightening of American urban myths is the legend of The Mothman, a red-eyed creature seen by some as a harbinger of doom in 1960s rural West Virginia, where sightings of the winged demonic beast were first documented near an old munitions dump known by locals as TNT. Many believe the Mothman to be a 1960’s phenomenon, an omen only appearing before tragedy, and disappearing after a flap of sightings and the subsequent Silver Bridge collapse in 1967. But what if there’s more? What if the origins of this omen trace back much further and go much deeper than anyone realized? And what if…the sightings never ended?