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Come on, nigger, let's walk. Dawg, you ain't cornholedno animal for real, did you? - Go ahead, poot.- You're stupid. Don't be fucking with my Sean John. - So who caught it?- Garvey. He knows about the witness angle but he doesn't want to run it upuntil he knows more. Why ace nakeisha lyles now? Now they know we're for real. Avon's cleaning the house all the way. First the phones go dead and then anyonehe thinks we might be able to flip
Full Transcript
00:00:01.000 --> 00:00:02.502
Come on nigger let's walk
00:00:02.836 --> 00:00:05.755
Dawg you ain't cornholed no animal for real did you
00:00:06.339 --> 00:00:08.591
Go ahead poot You're stupid
00:00:08.716 --> 00:00:11.428
Don't be fucking with my Sean John
00:00:12.679 --> 00:00:14.931
So who caught it Garvey
00:00:15.849 --> 00:00:17.129
He knows about the witness angle
00:00:17.183 --> 00:00:20.186
but he doesn't want to run it up until he knows more
00:00:20.854 --> 00:00:23.231
Why ace nakeisha lyles now
00:00:23.356 --> 00:00:25.316
Now they know we're for real
00:00:25.004 --> 00:00:27.777
Avon's cleaning the house all the way
00:00:27.861 --> 00:00:31.865
First the phones go dead and then anyone he thinks we might be able to flip
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Movie Summary
Told from the points of view of both the Baltimore homicide and narcotics detectives and their targets, the series captures a universe in which the national war on drugs has become a permanent, self-sustaining bureaucracy, and distinctions between good and evil are routinely obliterated.
