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Van Gogh: Of Wheat Fields and Clouded Skies

(dramatic music) Vincent wasparticularly interested in rendering a nighttime setting

(dramatic music) [Marco] Vincent was
particularly interested in rendering a nighttime setting

Full Transcript

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(dramatic music)
00:00:05.008 --> 00:00:07.000
[Marco] Vincent was particularly interested
00:00:07.000 --> 00:00:09.019
in rendering a nighttime setting.
Duration
9 seconds
Views
30
Timestamp in Movie
00:11:25
Uploaded
Jun 27, 2025
Genres
documentary
Production
N/A

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Movie Summary

A new look at Van Gogh, through the legacy of the largest private collector of artworks by the Dutch painter: Helene Kröller-Müller (1869-1939), who, in the early 20th Century, ended up buying nearly 300 of his works.
And when he wrote to his sister on the 16th of September, - Van Gogh: Of Wheat Fields and Clouded Skies 00:23
And when he wrote to his sister on the 16th of September,
In the same letter to his sister, - Van Gogh: Of Wheat Fields and Clouded Skies 00:16
In the same letter to his sister,
But it could be said that by painting a mistake, - Van Gogh: Of Wheat Fields and Clouded Skies 00:06
But it could be said that by painting a mistake,
Of course, a vision completely transformed - Van Gogh: Of Wheat Fields and Clouded Skies 00:07
Of course, a vision completely transformed
He explores it also in depicting the reality - Van Gogh: Of Wheat Fields and Clouded Skies 00:07
He explores it also in depicting the reality
Represented in the painting, the potato eaters. - Van Gogh: Of Wheat Fields and Clouded Skies 00:04
Represented in the painting, the potato eaters.
An image that he wanted to paint with the same colors, - Van Gogh: Of Wheat Fields and Clouded Skies 00:05
An image that he wanted to paint with the same colors,
[Marco] In April, 1885, - Van Gogh: Of Wheat Fields and Clouded Skies 00:20
[Marco] In April, 1885,
(gentle music) - Van Gogh: Of Wheat Fields and Clouded Skies 00:10
(gentle music)
He must also make another fundamental decision - Van Gogh: Of Wheat Fields and Clouded Skies 00:09
He must also make another fundamental decision
In the end, the choice is the one we can see - Van Gogh: Of Wheat Fields and Clouded Skies 00:06
In the end, the choice is the one we can see
What he created is a painting that gave him - Van Gogh: Of Wheat Fields and Clouded Skies 00:05
What he created is a painting that gave him
He had effectively painted a Tableau, - Van Gogh: Of Wheat Fields and Clouded Skies 00:05
He had effectively painted a Tableau,
The one that in Van Gogh's mind - Van Gogh: Of Wheat Fields and Clouded Skies 00:06
The one that in Van Gogh's mind
(gentle music) - Van Gogh: Of Wheat Fields and Clouded Skies 00:14
(gentle music)
The title is "Country Road in Provence by Night" - Van Gogh: Of Wheat Fields and Clouded Skies 00:07
The title is "Country Road in Provence by Night"
Shortly after, he returned to the north - Van Gogh: Of Wheat Fields and Clouded Skies 00:05
Shortly after, he returned to the north
For many scholars, the work conveys - Van Gogh: Of Wheat Fields and Clouded Skies 00:05
For many scholars, the work conveys
[Marco] On the evening of the 20th of April 1890, - Van Gogh: Of Wheat Fields and Clouded Skies 00:08
[Marco] On the evening of the 20th of April 1890,
Van Gogh kept this image in mind and just one month later, - Van Gogh: Of Wheat Fields and Clouded Skies 00:08
Van Gogh kept this image in mind and just one month later,