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(gentle music) [Marco] When he went to Saint Remy, he not changed that immediately of course, but in Saint Remy, he started looking for
something much more stylish, stylized, and it was partly a result of his discussion with his
friends, Paul Gauguin and Emile Bernard, who stressed that things should
not be taken from reality, but from the imagination and that you should manipulate reality
something much more stylish, stylized, and it was partly a result of his discussion with his
friends, Paul Gauguin and Emile Bernard, who stressed that things should
not be taken from reality, but from the imagination and that you should manipulate reality
Full Transcript
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(gentle music)
00:00:03.056 --> 00:00:05.005
[Marco] When he went to Saint Remy,
00:00:05.005 --> 00:00:07.094
he not changed that immediately of course,
00:00:07.094 --> 00:00:08.008
but in Saint Remy,
00:00:08.008 --> 00:00:12.071
he started looking for
something much more stylish,
00:00:12.071 --> 00:00:17.012
stylized, and it was partly a result of
00:00:17.012 --> 00:00:20.016
his discussion with his
friends, Paul Gauguin
00:00:20.016 --> 00:00:21.092
and Emile Bernard,
00:00:21.092 --> 00:00:26.998
who stressed that things should
not be taken from reality,
00:00:26.998 --> 00:00:27.034
but from the imagination
00:00:27.034 --> 00:00:30.999
and that you should manipulate reality.
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Movie Summary
A new look at Van Gogh, through the legacy of the largest private collector of artworks by the Dutch painter: Helene Kröller-Müller (1869-1939), who, in the early 20th Century, ended up buying nearly 300 of his works.