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[Marco] This large model
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Van Gogh: Of Wheat Fields and Clouded Skies

This large model, is a reproduction of theSt Paul De Mausole Asylum, in Saint-Rémy, in...

[Marco] This large model, is a reproduction of the
St Paul De Mausole Asylum, in Saint-Rémy, in Provence

Full Transcript

00:00:01.000 --> 00:00:02.022
[Marco] This large model,
00:00:02.022 --> 00:00:05.069
is a reproduction of the St Paul De Mausole Asylum,
00:00:05.069 --> 00:00:07.059
in Saint-Rémy, in Provence.
Duration
8 seconds
Views
17
Timestamp in Movie
01:07:54
Uploaded
Jun 27, 2025
Genres
documentary
Production
N/A

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Movie Summary

A new look at Van Gogh, through the legacy of the largest private collector of artworks by the Dutch painter: Helene Kröller-Müller (1869-1939), who, in the early 20th Century, ended up buying nearly 300 of his works.
At the foot of the small mountain range, of the Alps. - Van Gogh: Of Wheat Fields and Clouded Skies 00:04
At the foot of the small mountain range, of the Alps.
Following Vincent's repeated episodes, - Van Gogh: Of Wheat Fields and Clouded Skies 00:11
Following Vincent's repeated episodes,
In the year he spent in Saint-Rémy, - Van Gogh: Of Wheat Fields and Clouded Skies 00:12
In the year he spent in Saint-Rémy,
So, Van Gogh painted from his small studio, or his room. - Van Gogh: Of Wheat Fields and Clouded Skies 00:06
So, Van Gogh painted from his small studio, or his room.
It is the moment when his painting - Van Gogh: Of Wheat Fields and Clouded Skies 00:07
It is the moment when his painting
Today, it is difficult to assess his conclusions - Van Gogh: Of Wheat Fields and Clouded Skies 00:08
Today, it is difficult to assess his conclusions
We only know that in Saint Remy, in spite of his illness, - Van Gogh: Of Wheat Fields and Clouded Skies 00:12
We only know that in Saint Remy, in spite of his illness,
We cannot really say he was either this or that. - Van Gogh: Of Wheat Fields and Clouded Skies 00:04
We cannot really say he was either this or that.
It has lots in common with borderline, some say, - Van Gogh: Of Wheat Fields and Clouded Skies 00:11
It has lots in common with borderline, some say,
What is important is, first of all, of course, - Van Gogh: Of Wheat Fields and Clouded Skies 00:17
What is important is, first of all, of course,
(soft music) - Van Gogh: Of Wheat Fields and Clouded Skies 00:14
(soft music)
(gentle music) - Van Gogh: Of Wheat Fields and Clouded Skies 00:30
(gentle music)
Van Gogh tried his hand at it, - Van Gogh: Of Wheat Fields and Clouded Skies 00:15
Van Gogh tried his hand at it,
We start to experiment with exaggerated forms - Van Gogh: Of Wheat Fields and Clouded Skies 00:07
We start to experiment with exaggerated forms
I don't think that these are, - Van Gogh: Of Wheat Fields and Clouded Skies 00:14
I don't think that these are,
So, it was like he did in Paris, - Van Gogh: Of Wheat Fields and Clouded Skies 00:05
So, it was like he did in Paris,
He comes up on something new, - Van Gogh: Of Wheat Fields and Clouded Skies 00:06
He comes up on something new,
He tries to, make use of it, - Van Gogh: Of Wheat Fields and Clouded Skies 00:10
He tries to, make use of it,
(gentle dramatic music) - Van Gogh: Of Wheat Fields and Clouded Skies 00:04
(gentle dramatic music)
[Vincent] Since I've been here, - Van Gogh: Of Wheat Fields and Clouded Skies 00:14
[Vincent] Since I've been here,