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The carriage, and these two figures we know from a letter
to Gauguin from Auvers, where Van Gogh spent the
last 70 days of his life, how these figures are
actually very much smaller, because in the end, what must endure, what must remain is the absoluteness
to Gauguin from Auvers, where Van Gogh spent the
last 70 days of his life, how these figures are
actually very much smaller, because in the end, what must endure, what must remain is the absoluteness
Full Transcript
00:00:01.000 --> 00:00:03.013
The carriage, and these two figures
00:00:03.013 --> 00:00:05.081
we know from a letter
to Gauguin from Auvers,
00:00:05.081 --> 00:00:09.017
where Van Gogh spent the
last 70 days of his life,
00:00:09.017 --> 00:00:12.045
how these figures are
actually very much smaller,
00:00:12.045 --> 00:00:14.098
because in the end, what must endure,
00:00:14.098 --> 00:00:17.007
what must remain is the absoluteness.
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Movie Summary
A new look at Van Gogh, through the legacy of the largest private collector of artworks by the Dutch painter: Helene Kröller-Müller (1869-1939), who, in the early 20th Century, ended up buying nearly 300 of his works.