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But I think what was atypical about that
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You Don't Nomi

But I think what was atypicalabout that is I was mostly interestedthat it had gotten zero...

But I think what was atypical
about that is I was mostly interested
that it had gotten zero stars in the globe and mail, and I did remember reading
that, you know, Friday morning newspaper at the breakfast table
with my parents

Full Transcript

00:00:01.000 --> 00:00:02.866
But I think what was atypical about that
00:00:02.092 --> 00:00:05.457
is I was mostly interested that it had gotten zero stars
00:00:05.506 --> 00:00:06.916
in the globe and mail,
00:00:06.966 --> 00:00:08.877
and I did remember reading that, you know,
00:00:08.926 --> 00:00:10.837
Friday morning newspaper
00:00:10.885 --> 00:00:13.376
at the breakfast table with my parents.
Duration
13 seconds
Views
40
Timestamp in Movie
00:12:05
Uploaded
Jun 11, 2025
Genres
documentary
Production
Grade Five Films,XYZ Films

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Movie Summary

Released in 1995, Paul Verhoeven's Showgirls was met by critics and audiences with near universal derision. You Don't Nomi traces the film's redemptive journey from notorious flop to cult classic, and maybe even masterpiece.
The critics at the time who panned it, - You Don't Nomi 00:20
The critics at the time who panned it,
Nayman: Where I think the initial reviews - You Don't Nomi 00:13
Nayman: Where I think the initial reviews
Why is the film so ugly? Where's verhoeven's craft gone?" - You Don't Nomi 00:13
Why is the film so ugly? Where's verhoeven's craft...
There's wit not just in the choreography, - You Don't Nomi 00:10
There's wit not just in the choreography,
At the stardust, it moves from, like, - You Don't Nomi 00:10
At the stardust, it moves from, like,
It's like a history of musicals and a history of exploitation. - You Don't Nomi 00:04
It's like a history of musicals and a history of exploi...
It has these wonderfully expressionist images, - You Don't Nomi 00:11
It has these wonderfully expressionist images,
Nayman: Or Kyle maclachlan having that evil cellphone call - You Don't Nomi 00:08
Nayman: Or Kyle maclachlan having that evil cellphone call
Phil, you dumb fuck. Get back up here, would you? - You Don't Nomi 00:04
Phil, you dumb fuck. Get back up here, would you?
Nayman: This stuff is very accomplished - You Don't Nomi 00:07
Nayman: This stuff is very accomplished
In terms of the three claims in my book, - You Don't Nomi 00:27
In terms of the three claims in my book,
Nayman: It is tremendously and unapologetically tacky... - You Don't Nomi 00:05
Nayman: It is tremendously and unapologetically tacky...
Nayman: But it is also, in ways that don't cancel that out, - You Don't Nomi 00:19
Nayman: But it is also, in ways that don't cancel that ...
Nayman: The "masterpiece of shit" - You Don't Nomi 00:07
Nayman: The "masterpiece of shit"
And I would even go so far as to say - You Don't Nomi 00:05
And I would even go so far as to say
Or bounces off of the stuff that's good on purpose - You Don't Nomi 00:09
Or bounces off of the stuff that's good on purpose
The number of scenes - You Don't Nomi 00:12
The number of scenes
You know, I think that the cheetah and the stardust, - You Don't Nomi 00:08
You know, I think that the cheetah and the stardust,
The opening scene and the closing scene mirror each other. - You Don't Nomi 00:04
The opening scene and the closing scene mirror each other.
I mean, there's a lot of really kind of deep-core - You Don't Nomi 00:06
I mean, there's a lot of really kind of deep-core