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Like, the audience got into it
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You Don't Nomi

Like, the audience got into it, and they booked mefor another night, and then there was a...

Like, the audience got into it, and they booked me
for another night, and then there was a line
around the block

Full Transcript

00:00:01.000 --> 00:00:02.286
Like, the audience got into it,
00:00:02.336 --> 00:00:03.917
and they booked me for another night,
00:00:03.963 --> 00:00:06.329
and then there was a line around the block.
Duration
6 seconds
Views
32
Timestamp in Movie
00:11:00
Uploaded
Jun 12, 2025
Genres
documentary
Production
Grade Five Films,XYZ Films

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Movie Summary

Released in 1995, Paul Verhoeven's Showgirls was met by critics and audiences with near universal derision. You Don't Nomi traces the film's redemptive journey from notorious flop to cult classic, and maybe even masterpiece.
And that's how the first public - You Don't Nomi 00:06
And that's how the first public
Nayman: I mean, it was an easy target, and, you know, - You Don't Nomi 00:10
Nayman: I mean, it was an easy target, and, you know,
The angles that people tried to hit it from - You Don't Nomi 00:07
The angles that people tried to hit it from
Nayman: "Showgirls" is also signaling - You Don't Nomi 00:10
Nayman: "Showgirls" is also signaling
My first viewing of “showgirls” - You Don't Nomi 00:10
My first viewing of “showgirls”
But I think what was atypical about that - You Don't Nomi 00:13
But I think what was atypical about that
The critics at the time who panned it, - You Don't Nomi 00:20
The critics at the time who panned it,
Nayman: Where I think the initial reviews - You Don't Nomi 00:13
Nayman: Where I think the initial reviews
Why is the film so ugly? Where's verhoeven's craft gone?" - You Don't Nomi 00:13
Why is the film so ugly? Where's verhoeven's craft...
There's wit not just in the choreography, - You Don't Nomi 00:10
There's wit not just in the choreography,
At the stardust, it moves from, like, - You Don't Nomi 00:10
At the stardust, it moves from, like,
It's like a history of musicals and a history of exploitation. - You Don't Nomi 00:04
It's like a history of musicals and a history of exploi...
It has these wonderfully expressionist images, - You Don't Nomi 00:11
It has these wonderfully expressionist images,
Nayman: Or Kyle maclachlan having that evil cellphone call - You Don't Nomi 00:08
Nayman: Or Kyle maclachlan having that evil cellphone call
Phil, you dumb fuck. Get back up here, would you? - You Don't Nomi 00:04
Phil, you dumb fuck. Get back up here, would you?
Nayman: This stuff is very accomplished - You Don't Nomi 00:07
Nayman: This stuff is very accomplished
In terms of the three claims in my book, - You Don't Nomi 00:27
In terms of the three claims in my book,
Nayman: It is tremendously and unapologetically tacky... - You Don't Nomi 00:05
Nayman: It is tremendously and unapologetically tacky...
Nayman: But it is also, in ways that don't cancel that out, - You Don't Nomi 00:19
Nayman: But it is also, in ways that don't cancel that ...
Nayman: The "masterpiece of shit" - You Don't Nomi 00:07
Nayman: The "masterpiece of shit"