She was willing to say or doanything and was also a dancer, so it seemed maybe there...
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She was willing to say or do
anything and was also a dancer, so it seemed maybe there was,
like, a chance for a second that she could have
turned that into, I don't know,
a way to make it a real career, but instead it's just become,
like, a collection of scenes in which she's always, like, operating at this
very high frequency of emotions
anything and was also a dancer, so it seemed maybe there was,
like, a chance for a second that she could have
turned that into, I don't know,
a way to make it a real career, but instead it's just become,
like, a collection of scenes in which she's always, like, operating at this
very high frequency of emotions
Full Transcript
00:00:01.000 --> 00:00:04.868
She was willing to say or do
anything and was also a dancer,
00:00:04.921 --> 00:00:07.253
so it seemed maybe there was,
like, a chance for a second
00:00:07.298 --> 00:00:10.381
that she could have
turned that into,
00:00:10.426 --> 00:00:12.917
I don't know,
a way to make it a real career,
00:00:12.971 --> 00:00:16.213
but instead it's just become,
like, a collection of scenes
00:00:16.266 --> 00:00:18.002
in which she's always, like,
00:00:18.999 --> 00:00:20.391
operating at this
very high frequency of emotions.
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Movie Summary
Released in 1995, Paul Verhoeven's Showgirls was met by critics and audiences with near universal derision. You Don't Nomi traces the film's redemptive journey from notorious flop to cult classic, and maybe even masterpiece.
